Tuesday, July 21, 2009
Module 5
BIBLIOGRAPHY
Yep, Laurence. 2000. Cockroach cooties. New York: Hyperion Books for Children.
PLOT SUMMARY
When eight-year-old Bobby insults Arnie, the school bully known as Arnie-zilla, Teddy attempts to walk away and let Bobby “learn how to deal with problems on his own”. However, family responsibility wins out and Teddy saves Bobby and brings the wrath of Arnie-zilla down on his head also. The two brothers attempt to deal with Arnie but are unsuccessful until Bobby inadvertently discovers Arnie’s fear of bugs—especially cockroaches. Bobby adopts a cockroach and names it Hercules, and, with the help of Charlie, the Bug Lady who lives in their building, Bobby tries to get Teddy to see the world through the eyes of Hercules. While celebrating their Mom’s birthday at a Chinese restaurant, Uncle Mat finds a cockroach in his food and Bobby is sad when they kill the cockroach. When they arrive at home Bobby realizes that the cockroach at the restaurant was not Hercules, unfortunately his father ends up killing Hercules so Bobby mourns his death twice. The boys are now worried since they do not have anything to scare Arnie with. Bobby remembers Charlie’s cookies—the ones with a secret ingredient guaranteed to win the war with Arnie. Bobby and Teddy talk to Arnie and realize that he does not have a stable happy household and he bullies others in order to cover up his own insecurities. The story is filled with funny scenes and teaches a lesson about bullies.
CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Cockroach Cooties is a story about a Chinese American family living in San Francisco’s Chinatown. Although the characters’ heritage is shown throughout the story, their background is not the main emphasis of the story. The only reference about the appearance of the character is the picture of two books with Chinese heritage that is on the cover of the book. The family lives in Chinatown, and the boys attend a school where they have a one-hour Chinese lesson every day. The Chinese characters are used in the classroom “When I tried to write the Chinese character, everyone laughed.” (p. 31) Unlike her students, their teacher, Miss Lee, “liked to wear Chinese-style dresses that had a slit up one leg” and “liked the old-fashioned Chinese discipline, too”. (p.29)
When the family goes to a Chinatown restaurant to celebrate Teddy and Bobby’s mom’s birthday, there is reference to the behavior of a Chinatown waiter—“You just didn’t say things like that to a Chinatown waiter. It was like ordering around the president.” (p. 77) The food that the family eats at the restaurant appears to be traditional Chinese food—paper-wrapped chicken, fish in a black bean sauce, and a prawn dish “arranged so the prawns seemed to be dancing together in the center”.(p. 78) Bobby’s Uncle Mat ate the eyeball of the fish, which is considered a delicacy in some families.
There is no reference to dialect or traditional languages in the book, and the language patterns of the Chinese American characters are no different than the dialect and language found in books with characters from other countries. The names of the characters are not noticeably Chinese. The only reference to an accent or varying dialect is found in the words of the stall owner in Chinatown. His responses to the boys include “ver-ree han-dee”, “ver-ree love-lee”, and ver-ree use-ful”, intimating a strong accent that is not seen in the other characters.(p. 15)
Throughout the book, Yep incorporates images of San Francisco’s Chinatown and the life of a typical Chinese American family. The family’s dedication to education and each other is obvious as Teddy and Bobby deepen their brotherly bond and Teddy begins to see the world through the eyes of others.
REVIEW EXCERPTS
Publisher’s Weekly. Full of the sights and sounds of San Francisco’s Chinatown, the tale zips along at a brisk pace, percolating with snappy dialogue. A seasoned craftsman, Yep (Dragonwings; The Imp Who Ate My Homework) effortlessly shoehorns in fun facts about insects (”Did you know that cockroaches have two brains?” Bobby asks the hapless Arnie as he pursues him with Hercules). An altogether chipper outing.
School Library Journal. Set in the Chinatown section of San Francisco, this modern-day tale is about two brothers, eight and nine, previously featured in Later, Gator (Hyperion, 1995). Teddy, the older child, narrates. Bobby feels responsible for getting Teddy involved with a treacherous bully at school, so he devises a plan to scare the fiend with a cockroach that he obtains from “The Bug Lady,” a neighbor studying entomology. The plan is effective until the roach meets with an unfortunate end, but Bobby has a new secret plan that brings Arnie to his knees. Eventually, they realize that his tough attitude is a result of uncaring parents and a difficult home life, and a tentative friendship is formed.
CONNECTIONS
With the fun facts about insects thrown in, this is a great read-aloud for students to hear during a study of insects and/or etymology.
Look for these other stories with an Asian/Pacific American cultural influence:
Yep, Laurence. The magic paintbrush.
Namioka, Lensey. Yang the youngest and his terrible ear
Na, An. A step from Heaven. ISBN 9780142500279
Kadohata, Cynthia. Kira-kira. ISBN 9780689856402
Park, Linda Sue. A single shard. ISBN 9780440418511
A. BIBLIOGRAPHY
Sixteen Years in Sixteen Seconds: the Sammy Lee Story. Paula Yoo, Lee & Loo Books, Inc., New York 2005
B. PLOT SUMMARY
Sixteen Years in Sixteen Seconds is a story about a young Korean boy Sammy that discovers that he loves to dive. Unfortunately Sammy is not allowed to swim in the community pool except for one day of the week. He does not let discrimination get in the way of becoming a diver. He dreams of participating in the Olympics and faces another obstacle, his father wants him to become a doctor and quit wasting his time practicing diving. They come to an agreement Sammy will continue his education and become a doctor and he will continue practicing his diving.
During this time Sammy also served in the US Army during WWII, but he never forgot his dream of becoming an Olympic athlete. In 1946, Sammy got permission from the US Army and competed in the 1946 National Diving Championship. In 1948, Sammy was on the US Olympic Diving team, where he won the Gold and the Bronze metal in diving. In 1952, Sammy came back and defended his Olympic title with another Gold medal. Sammy was the first Asian American to win an Olympic medal and also the first male diver to win gold medals at consecutive Olympics for the same event.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Paula Yoo writes the story about Sammy Lee a young Korean boy that faces many obstacles to become the first Asian American to win an Olympic medal. The story
allows the reader to see the Korean culture sharing their beliefs, dreams and obstacles that immigrants faced.
Discrimination was an obstacle that Sammy Lee faced throughout his life. “The sign at the swimming pool read, MEMBERS ONLY. The sign meant that only whites were permitted to enter even though it was a public pool.” (p.1) This was the practice in 1932. Paula Yoo transports her readers back through time to the bad old days of segregation;
“Despite his academic and athletic success, Sammy still faced discrimination. During his senior year of high school, Sammy could not attend his own prom.” (p. 12)
Sammy Lee’s father, who "left Korea for a better life in America," wants his son to be a doctor. Sammy wants to be an Olympic champion. Sammy fulfills both his father’s goal and his own.
He had to put up with discrimination because of his lack of education. “Then one afternoon Sammy witnessed a rude customer berating his father at the restaurant. “(p.13)
“Despite his achievements, Sammy continued to face discrimination. Once after performing at a diving exhibition with his friends, Sammy was forbidden from entering a restaurant to have dinner with them. And Sammy was still restricted from using some pools except on assigned days.” (p. 16)
Sammy’s parents had come to America to follow their dream of a better life. “In America, Sammy father said, “you can achieve anything if you set your heart to it.” (p.6)
Sammy’s dream to winning an Olympic medal was the driving force that made him a strong determined young man. “He no longer wanted to win just for himself. He wanted to win to prove that no one should be judged by the color of his or her skin.” (20)
“The crowd roared. Voices filled the cavernous stadium, but all Sammy could hear were his father’s words: “In America, you can achieve anything if you set your heart to it. (p. 26)
The story does not have any connections with the Korean culture that deals with food or physical image. The illustrations do have Korean characteristics with dark hair, eyes and skin color. The Language that is used is all English.
D. REVIEW EXCERPTS
Kirkus
The title refers to the 16 years he trained for the 16 seconds it took to perform his winning dive. This hero's inspirational story demonstrates determination and dedication by a man who never gave up and is still an active athlete today at the age of 84."
Publishers Weekly
Touching on themes of discrimination and determination, this motivational tale concludes with an author's note that provides details of Sammy's post-Olympic life."
E. CONNECTIONS
Use a case study to raise your group's understanding and awareness of discrimination. Begin with a real example, if you can find one that is age appropriate. Read the case together and go over the details to make certain everyone understands. Ask group members to identify the relevant facts; following the "fact or feeling" exercise, make certain they can verify the facts and distinguish them from opinion. As the group discusses the case, listen for comments that suggest a lack of understanding or a tendency to excuse discrimination. Encourage them to explain their thoughts.
http://www.olympic.org/uk/games/index_uk.asp
They Olympic Games office website
Biography of Olympian Dr. Sammy Lee
http://www.super-cool-products.com/thesammysporttowels/biographydrsammylee.html
A. BIBLIOGRAPHY
Say, Allen. 1982. The Bicycle Man: Houghton Mifflin Company. ISBN 0-395-32254-5
B. PLOT SUMMARY
A schoolyard filled with students and parents are participating in a sportsday. The children are on teams and they are playing games like tug of war and piggyback races. The parents also paired up and had a three legged race. Two American soldiers appear and are leaning over the fence observing the festivities. The children and adults are staring at them; they had never seen them on their mountain. One of the soldiers comes toward them and asked to borrow a bicycle. The principal lets him borrow his. He starts riding the bicycle and does the most amazing tricks on it. The red haired soldier acts as a ringmaster shouting encouragement. Everyone is astonished they have never seen anything like this before. After the bicycle show they decide to award the largest box from the prize table to the two soldiers.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Say’s description of the island is detailed, “The schoolhouse stood halfway up a tall green mountain.” “From the playground we could see the town, the ships in the harbor, the shining sea” (p.1) it helps the reader visualize the setting.
Another cultural marker is the food “The layers of lacquered boxes held picked melon rinds and egg rolls, spiced rice and fish cakes. Here were apples and peaches and sweets of all sorts. (p. 13). The illustration on p. 14 shows the people using chopsticks, the trays that hold the food and tea kettles. The boxes filled with food are stacked on top of each other. The shoes are removed and are placed outside of the mat.
The formal greeting is also a part of Japanese culture “The principal walked up to the American and bowed.” (p. 20)
The only time that Japanese language is used is on p. 34 “Ari-ga-tow, ari-ga-tow,” he said. “Thank you, thank you”
The illustrations use the dark hair and eyes for the Japanese children and adults, the banner has Japanese writing, and the clothing is mostly American with shorts and button down shirts, some of the adults are wearing traditional kimonos. The principal is wearing a suit.
D. REVIEW EXCERPTS
A Kirkus Reviews critic called the book a "delightful story"
Karla Kuskin, New York Times Book Review
"a master of his art." Noting that the author/illustrator wields a pen "as unerring as his eye," Kuskin added that Say's images of the Japanese schoolyard are "alive with wonderfully individual children and adults."
E. CONNECTIONS
Students can research WWII and the effect that it had on the Japanese and Americans.
Invite a member of the police department to talk to the students about bicycle safety and host a bicycle rodeo.
http://www.houghtonmifflinbooks.com/authors/allensay/
Officials Publisher’s site for Allen Say
Module 6
A. BIBLIOGRAPHY
Sanchez, Alex. Rainbow road. (Rainbow Trilogy.) Simon & Schuster. 256p. c2005
B. PLOT SUMMARY
Rainbow Road is the last book in the trilogy written by Alex Sanchez.
Jason Carrillo came out to his basketball team senior year and lost his university scholarship. Now, with graduation behind him and summer ending, he's asked to speak at the opening of a gay and lesbian high school across the country. But after spending years in the closet and losing his scholarship dream, what message can he offer? Jason is struggling with his identity, he is in love with his boyfriend Kyle yet he still has feelings for girls. Kyle Meeks is getting ready to go to Princeton in the fall and trying to see as much as possible of his boyfriend Jason before they have to separate. When Jason tells him about his speaking invitation, Kyle jumps at the chance to drive across country with him. During the trip Kyle realizes that he is not sure that Jason is as committed to the relationship as he is. Nelson Glassman is happy his best friend Kyle has found love with Jason. Nelson is a free spirit that enjoys life and adventure. Jason is not fond of Nelson but he is the one with the car. Traveling with Nelson makes the trip interesting to say the least.
During the summer road trip, each of the three very different boys also embarks on a personal journey that involves love, sexuality, homophobia, and above all, friendship.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Alex Sanchez writing emphasizes that being different is not easy, especially for homosexuals. Even though our society is more accepting of the homosexual community it still is verbally, physically and emotionally attacked.
Rainbow Road breaks down some of the stereotypes about how homosexuals dress and act. Not all homosexuals dress flamboyantly and act in a feminine manner. “he kicked off his sandals, displaying emerald-painted toenails. Kyle was used to such things, but Jason gaped across the room, with a look somewhere between aversion and fascination.” (p. 24) “he only knew one person nutty enough to dye his hair flaming pink.” (p. 4) A discussion between Jason and Nelson “Maybe if you wouldn’t dress so weird…” “I don’t try to be different, Jason. I just am. Try it sometime.” (p.47)
Acceptance from family members and discrimination from society is another issue that is the characters have to deal with. “When Jason tearfully came out to him, Coach had accepted him, unlike his own dad. And when Jason lost his full scholarship to Tech because of coming out, Coach had stood by him.” (p.29)
“You got a problem with something?” “Yes, with people like you.” (p.47)
“But Jason slowed his steps as he noticed the passenger door. Scratched into the paint, a word stood out: FAGGS!” (p.87)
“Yeah?” “The dad glanced over his shoulder, his face red from anger or embarrassment or both. “Well he’s my kid.” He shoved the sobbing Esau toward the tent. “You keep away from him. Faggot!” (p. 163)
Aids is a topic that is discussed in the book “he was dating an HIV positive guy” (p.17) “Did you discuss HIV status, like you promised me?” (p. 234)
D. REVIEW EXCERPTS
"A forthright portrayal of growing up gay."
-- USA Today
"Sanchez writes with passion and understanding as well as some welcome humor."
-- Booklist
"Realistic and remarkably honest."
-- Lambda Book Report
E. CONNECTIONS
Book List of Books for Gay and Lesbian Youth and Teens from Pinkbooks.
GLBTQ & Allies Authors Group: "authors and other children's literature professionals of fiction and nonfiction featuring gay, lesbian, bisexual, queer/questioning, gender-fluid, and transgender characters… You do not have to be gay, lesbian, bisexual, queer/questioning, gender-fluid, or transgender yourself in order to belong to the group, however you must understand and respect our mission if you're a member, and you must be writing about, or have an interest in writing about, this demographic."
GLBTQ Book List for Youth from the Rainbow Project, "co-sponsored by the American Library Association's Social Responsibility Round Table and the Gay, Lesbian, Bisexual and Transgendered Round Table, an annual bibliography for young readers from birth through age 18.
Great Gay Teen Books Recommended by author Alex Sanchez.
I'm Here. I'm Queer. What the Hell Do I Read? "The Place to find out about Young Adult fiction books with Gay, Lesbian, Bisexual, Transgender, Queer and Questioning characters and themes...and other cool stuff from Lee Wind, Teen Action Fantasy author."
Rainbow Reading: Gay and Lesbian Characters and Themes in Children's Books by Wendy E. Betts from Notes from the Windowsill.
The Rainbow List: 2009 from GLBTQ Books for Children and Teens.
BIBLIOGRAPHY
Nye, Naomi Shihab. 1997. Habibi: a novel. New York: Simon Pulse. ISBN 9780689801495
PLOT SUMMARY
Liyana is 14-years old when her native Palestinian father decides to relocate his family from the United States to Jerusalem. The rules start changing even before they leave the United States, Liyana is told that she can not wear shorts, that she will not be able to date and she is not looking forward to the move at all. They have an estate sale and after her possessions are sold she feels pieces of her life being torn away. Upon their arrival in Jerusalem, things are not quite as peaceful as Liyana’s father believed. Palestinians are still looked upon with distrust by Israelis, and friendships with Jews are culturally forbidden. Liyana’s finds herself among strangers that are her family, their customs, language and beliefs are as foreign as the land that she now lives in. Liyana meets Omer, and she realizes that she does not miss her home in the United States as much as she did, but finds it hard to develop a relationship with a boy that is a Jew. When she discovers that her father has been arrested and jailed for defying Israeli soldiers, she discovers a new strength in herself and begins to face the future and the changes that will be required for her to be successful in her father’s country. Nye is a beautiful story written with details that allows the reader to imagine the setting, fall in love with the characters and also understand the turmoil that is still taking place in Palestine.
CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Nye does an awesome job of teaching about the richness and tradition of the Palestinian culture. Change is not always easy especially for a young girl that is about to start her senior year in high school, has been kissed and is looking forward to developing a relationship with the boy.
In Palestine the family unit is united, Liyana has never met any of her Father’s family until the move. She is used to her maternal relatives being polite and standoffish; her paternal relatives hug and kiss everyone. “Liyana was being kissed by so many people whose exact identity was unknown to her.” (p. 40) “The whole gigantic family sat around forever, visiting, waiting for dinner to appear. What Liyana would discover was this was positively everyone’s favorite thing to do here – sit in a circle and talk, talk, talk.” (p. 50)
Although skin tone is not discussed in the story, Liyana does describe her mother’s skin as two shades lighter than Poppy’s and mentions that both she and her brother Rafik had inherited Poppy’s olive skin.
Nye uses colorful language to describe the clothing worn by Liyana’s father’s family. “The women’s long dresses were made of thick fabrics, purple, gold, and navy blue, and stitched brightly with fabulous, complicated embroidery.” (p. 40) “Two of the older uncles, Zaki and Daoud, wore black-and white-checkered kaffiyehs on their heads….”(p. 41)
In the story, as in the Arab culture, food is not only what is eaten to sustain life, but is prepared, served, and eaten in a way that celebrates the culture and traditions that are uniquely Middle Eastern. From lentils and saffron to lamb chunks and stuffed grape leaves, the family makes each meal an occasion for reconnecting and getting to know each other better. They use food to cure ailments also “musky smelling tea – maramia- an her good for the stomach. (p. 51) “But the extra visitors left just as a huge try of dinner appeared, hunks of baked lamb surrounded by rice and pine nuts. The remaining family members gathered around to dig into it with their forks. Poppy asked if his family could have individual plates since they weren’t used to eating communally.” (p. 51)
Religon is also a part of the novel yet it is not the focal point.
“A muezzin gave the last call to prayer of the day over a loudspeaker from the nearby mosque and all the relatives rose up in unison and turned their back on Liyana’s family. They unrolled small blue prayer rugs from a shelf, and then knelt, stood, and knelt again, touching foreheads to the ground, saying their prayers in low voices.” (p. 52)
In addition to the religious practices displayed by Liyana’s Palestinian family, Liyana’s family attends a few celebrations and religious locations of their own in the course of the story. Liyana’s mother cries when the family visits the chapel of Calvary, the Garden of Gethsemane, and The Church of the Holy Sepulcher, and the entire family feels the joy of Christmas when they stand in line at the Church of the Nativity at midnight on Christmas Eve. (p. 165)
The relationship between a young man and a young woman are very strict. Liyana is shocked when “she wished she had not heard that an Arab boy who was found kissing a girl in the alley behind her house got beaten up by the girl’s brothers. (p. 56)
In the novel a women shows up in the morning claims to be a relative of Poppy and sits all day waiting for him. Poppy explains “It’s an old custom. When someone returns from America, they buy every woman relative a bolt of cloth, for making a new dress. I guess it is to signify the success the traveler has had in America.”(p77)
The grandmother Sitti shares some of her superstitions “If a bird pooped on a clean white sheet while flying over the clothesline, that meant bad luck. But if it pooped on your head, that meant your first child would be a boy.” “Sitti wouldn’t wear socks because cold feet would help her live longer.”(p. 129)
Throughout the story, readers will notice Nye’s use of Arab forms of address—Liyana calls her father Poppy and her grandmother Sitti, similar to the American addresses Daddy and Grandma. Additionally, native language is used by all characters, infusing both Arabic and Israeli vocabulary into Liyana’s story.
Nye shares Liyana’s thoughts and feelings in a way that demonstrates respect for unknown customs and a willingness to draw new lines in dealing with others. It clearly allows us to see that the country is still in the midst of turmoil.
REVIEW EXCERPTS
Kirkus Reviews.
In her first novel, Nye (with Paul Janeczko, I Feel a Little Jumpy Around You, 1996, etc.) shows all of the charms and flaws of the old city through unique, short-story-like chapters and poetic language. The sights, sounds, and smells of Jerusalem drift through the pages and readers glean a sense of current Palestinian-Israeli relations and the region’s troubled history. In the process, some of the passages become quite ponderous while the human story- -Liyana’s emotional adjustments in the later chapters and her American mother’s reactions overall–fall away from the plot. However, Liyana’s romance with an Israeli boy develops warmly, and readers are left with hope for change and peace as Liyana makes the city her very own.
Children's Literature
Talk about culture shock: fourteen-year-old Liyana is not too pleased about leaving St. Louis to live in her Arab father's homeland, taking up residence in Jerusalem. Her new life has restrictions as she faces the traditions and prohibitions of her extended Palestinian family. To further complicate matters, Liyana has a Jewish boyfriend. In this first novel by poet Naomi Shihab Nye, the conflict between Arabs and Jews is vividly depicted through characters whom readers will admire and come to care about.
School Library Journal
An important first novel from a distinguished anthologist and poet. When Liyana's doctor father, a native Palestinian, decides to move his contemporary Arab-American family back to Jerusalem from St. Louis, 14-year-old Liyana is unenthusiastic. Arriving in Jerusalem, the girl and her family are gathered in by their colorful, warmhearted Palestinian relatives and immersed in a culture where only tourists wear shorts and there is a prohibition against boy/girl relationships. When Liyana falls in love with Omer, a Jewish boy, she challenges family, culture, and tradition, but her homesickness fades. Constantly lurking in the background of the novel is violence between Palestinian and Jew. It builds from minor bureaucratic annoyances and humiliations, to the surprisingly shocking destruction of grandmother's bathroom by Israeli soldiers, to a bomb set off in a Jewish marketplace by Palestinians. It exacts a reprisal in which Liyana's friend is shot and her father jailed. Nye introduces readers to unforgettable characters. The setting is both sensory and tangible: from the grandmother's village to a Bedouin camp. Above all, there is Jerusalem itself, where ancient tensions seep out of cracks and Liyana explores the streets practicing her Arabic vocabulary. Though the story begins at a leisurely pace, readers will be engaged by the characters, the romance, and the foreshadowed danger. Poetically imaged and leavened with humor, the story renders layered and complex history understandable through character and incident. Habibi succeeds in making the hope for peace compellingly personal and concrete...as long as individual citizens like Liyana's grandmother Sitti can say, "I never lost my peace inside."Kate McClelland, Perrot Memorial Library, Greenwich, CT
CONNECTIONS
Look for these other books about Arab countries:
Ellis, Deborah. The breadwinner. ISBN 9780888994196
Nye, Naomi Shihab. The flag of childhood: poems of the Middle East. ISBN 9780689851728
Oppenheim, Shulamith Levey. The hundredth name. ISBN 978 9780613034937
Winter, Jeanette. The librarian of Basra: a true story from Iraq. ISBN 0152054456
Heide, Florence Parry and Judith Heide Gilliland. The day of Ahmed’s secret. ISBN 9780688088941
A. BIBLIOGRAPHY
Lord, Cynthia. 2006. Rules: Scholastic. ISBN 10-0-439-44383-0
B. PLOT SUMMARY
Catherine is a typical Twelve year old girl dealing with the problems that come with the teen-age years. As if that is not enough she also has to face these problems having her brother David, who is autistic, and seems to always get her parents attention. She longs for the normalcy of a family and also wants her brother to be happy. Her sensitivity comes through when she takes the time compose rules for David hoping that life will be kinder to him if he follows the rules. She also befriends a boy Jason, a paraplegic boy who taps on picture cards to communicate. She draws pictures and words for him to add to his a book. Jason’s friendship does not come without problems, but ultimately Jason helps Catherine realize that “normal” does not really exist and accepting others is what is really important.
Through the simple plot, Catherine learns how to let go, be herself, and not worry about what others think. This book is perfect for those families or young siblings whose lives are impacted by a special needs child. It’s also perfect for families or children, who would like to learn empathy, see the world through someone else’s eyes and learn what it’s like to be different.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Autistic children have a hard time with noise, “David hears everything extra loud, Stephanie says. Milk being poured, shopping carts clanging at the grocery store, shopping carts clanging at the grocery store, my pet guinea pigs squealing, the school bus braking as it pulls up to the corner, and the whoosh of the bus door opening-all those things and a million more make David cover his ears, fast as lightning. (p.29)
Discrimination is an issue that people with disabilities must face when interacting within our society. Even though Catherine resents David at times she is overprotective of her brother. “That must be hard,” Kristi says. “Even regular little brothers are a pain.” “Regular” snarls in my stomach.” (p. 84) “But when David opens the wrapper, there’s nothing inside. He head-butts his face into my shirt. “It’s gone!” “You jerk! I scream at Ryan so loud, David burst into tears. “Get out of my yard and take your stupid gum with you.”(p. 109)
Catherine feels that her parents do not pay enough attention to her and sometimes resents having to baby sit David. “David has to come wherever we go, and sometimes I have to baby-sit while she meets with clients or makes phone calls. (p. 35) “I know she needs me to baby-sit sometimes, but I hate when she tells me he shouldn’t be any trouble. Trouble comes quick with David, and “should” doesn’t have anything to do with it.” (p. 79) “Footsteps pound behind us and two women jog by, one on each side of Jason and me. One of the women give Jason a soft-eyed pity look.” (p. 145)
The feeling of wanting some alone time with her parents is a natural reaction and in this situation Catherine loves her brother but resents that he needs so much attention that there is little left for her. “I’m torn between wanting to yell at him for choosing tomatoes over Mom and wanting to cry that he’s choosing David over me.” (p. 127)
D. REVIEW EXCERPTS
Booklist
A heartwarming first novel.”
Kirkus Reviews
“Catherine is an appealing and believable character, acutely self-conscious and torn between her love for her brother and her resentment of his special needs. Middle-grade readers will recognize her longing for acceptance and be intrigued by this exploration of dealing with differences.”
Publishers Weekly
"The appealing, credible narrator at the heart of Lord's debut novel will draw in readers, as she struggles to find order and balance in her life.... A rewarding story that may well inspire readers to think about others' points of view."
School Library Journal
"Catherine is an endearing narrator who tells her story with both humor and heartbreak. . . this sensitive story is about being different, feeling different, and finding acceptance. A lovely, warm read and a great discussion starter."
Schneider Family Book Award Winner
Notable Children's Books Winner
Newbery Medal Winner for 2007
E. CONNECTIONS
The Autism Society of America http://www.autism-society.org/site/PageServer
Autism Resources http://www.autism-resources.com/
Cure Autism Now http://www.cureautismnow.org/
Sibling issues for parents: http://www.parentlink.act.gov.au/parentguides/parentg_disabilitybrothersister.htm
For Teachers: a lesson plan on “understanding disability” by Gill Chesney-Green http://www.schoolzone.co.uk/resources/articles/GoodPractice/classroom/Special_needs/Understanding_disability.asp
Understanding Kids Who Are Different: Activities for Teaching About Disabilities http://www.education-world.com/a_lesson/lesson115.shtml
Lesson plans from The Disability Rights Commission: http://www.drc-gb.org/citizenship/lessonplans/talkvideo/index.asp
A huge online bookstore with resources on special needs: http://www.specialneeds.com/default.asp
Thursday, July 9, 2009
Module 4
A. BIBLIOGRAPHY
Bruchac, Joseph. The Arrow over the Door. New York: Dial Books for Young Readers, 1998.
B. PLOT SUMMARY
The setting is near Saratoga, New York in 1777, this short historical novel follows the parallel stories of two young boys, one a Quaker farm-boy, the other an Abenaki scout. The story is told through the eyes of Samuel Russell a 14 year old Quaker that is called a coward because his family does not believe in fighting. Stands Straight is the Abenaki scout that is left an orphan after his mother and younger brother are murdered by the American colonists. When the armed Indians, accompanied by two French allies, approach a large log structure filled with settlers, they do not know what to expect. Inside an assembly of Friends prepares to hold a regional meeting with the noted Quaker leader Robert Nisbet. As the Quakers wait in their customary silent worship, seeking inspiration from the "light within," the Indians approach the structure. Noting that the door has been left open and the settlers are unarmed, they enter quietly. Surprised to be welcomed with the usual handshake of the Friends, the scouting party sits down among the congregation quietly and seems to join in the silent worship. Later they share a simple meal of bread and cheese with the Friends. They leave an arrow shaft, feathered but with the point removed, over the door as a sign of peace, as they quietly exit.
Based upon an actual event, known as the Easton Meeting, The Arrow Over the Door is manages to clearly distinguish the differences in the Abenaki and the Euro-American settlers.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Joseph Bruchac says in Native American cultures, which Bruchac honors through his storytelling, stories always have lessons. The best ones, he thinks, tell people how they should act toward the earth and toward each other. In The Arrow over the Door Bruchac incorporates a historic event to educate us about how Indians did not go around fighting and scalping everyone that got in the way, they also believed in living in a peaceful manner just like the Quakers. He uses nature, language and art to teach us about the Abenaki Indians.
In the novel art work is done in black and white to enhance the physical descriptions given of the characters. The Indians are dressed in moccasins; their clothing is made out of skins. The physical features include long dark hair and slender bodies. Nature plays and important role in the Indian culture, the illustrations show the river and trees in just about every picture.
Physical descriptions are given of the Indian characters allowing the reader to visualize that not all Indians looks the same. Stand Straight, an Abenaki Indian “his long black hair, the brown color of his skin and the Algonquin features of his handsome face revealed the fact that he was an Indian.” (p. 11) Wolf Mark was shorter and broader than he, but his faced showed the age and experience that Stands Straight had yet to gain. There was a crooked scar across his older cousin’s temple where he had been grazed by a Maguak arrow and the look in his eye wa1s that of a man who has been in battle. (p. 14)
“The Indian, who stood there, filling the doorway, was the tallest man Samuel had ever seen. The two heron feathers that rose from the cap on head brushed the roof of the Meetinghouse.” (p. 69)
Throughout the novel the importance of the nature is evident.
“You can use this eye stone to see into the heart of things.” (p. 12)
“They knew how to ride through the currents of its rapids, there where the little underwater people lived. If an enemy tried to go through those rapids, the little underwater people would grab his canoe and tip it over. But if a friend came, the little underwater people would show him the way through.” (p.13)
The Indian culture portrays the Wind, Sun and the land as part of their religion; in the Arrow over the door it incorporates the aspect of religion into the story. “Stands Straight knew that Sees-the Wind was watching him. He could tell that his uncle was pleased that he was not forgetting to pray to the Creator and give thanks to Elder Brother Sun. After all, it was known that Elder Brother Sun liked the sight of war. And it was the path of war, Elder Brother’s Path that they were now walking.” (p. 29) “Ktsi Nwaskw,” he said, in a voice so soft that only the wind could hear it, “Great Mystery, you have kept us from harm. For that I give you thanks. All I ask is that you help us see the right road to follow. Ktsi wliwini, great thanks.” Then he lowered his arms.” (p. 34) “They were listening to hear the voice of Ktsi Nwaskw, the Creator, that voice which is hidden in each person’s heart.” (p. 72) “I have asked our Elder Brother if it is really war that he wants for us,” he said. “But so far the Sun has not answered.” (p. 34)
The arrow over the door is a symbol of Peace, which is as important to the Indians as it is to the Quakers. “This arrow, said Sees-the Wind as Robert Nisbet translated his words into English, “is our mark. It will not protect you from your own people. But those of my people, the Abenaki, who see this, will do you no harm. They will know you are the people of peace.” (p. 77)
D. REVIEW EXCERPTS
(School Library Journal)
For young Samuel Russell, the summer of 1777 is a time of fear. The British Army is approaching, and the Indians in the area seem ready to attack. To Stands Straight, a young Abenaki Indian scouting for King George, Americans are dangerous enemies who threaten his family and home. When Stands Straight's party enters the Quaker Meetinghouse where Samuel worships, the two boys share an encounter that neither will ever forget. Told in alternating viewpoints, The Arrow over the Door is based on a true story.
Booklist
Fourteen-year-old Samuel Russell hates being called a coward because he is a Quaker, and he vows to defend his family if Loyalists or Indians try to harm them. Stands Straight, an Abenaki boy whose mother and brother were murdered by white men, has joined his uncle's scouting party, though he questions why Indians should fight in the white man's war. In alternating narratives, the two boys tell this quietly compelling story, which is based on an actual incident that took place in 1777, just before the Battle of Saratoga. As Samuel's family sits in the meeting with the rest of the Quaker congregation, the Indian scouting party to which Stands Straight belongs surrounds the cabin. Stands Straight follows his uncle Sees-the-Wind inside, and after being assured that there are no weapons in the cabin, the Abenakis leave their bows and arrows outside and sit with the Quakers in silence. At the end of the meeting, the Quakers and the Indians share the handshake of peace, and Sees-the-Wind places an arrow over the cabin's door to show the Abenakis that the Quakers are people of peace. Simple black-and-white drawings reflect the dignified tone of the story, which explores the complexities of the Indian-white relationship, focusing on two lesser-known groups who were involved in the conflict. An author's note provides thorough historical background about the incident, as well as a brief history of the Quakers and the Abenakis.
E. CONNECTIONS
http://www.bigorrin.org/abenaki_kids.htm
Native American Facts For Kids was written for young people in search of Abenaki information for school or home-schooling reports.
Pose the questions:
What do individuals do to find peace?
What do communities do to create peace?
What are some symbols for peace?
As a class, visit the following websites that offer differing perspectives on peace:
The Peace Corps
Cranes for Peace
Pieces for Peace
Article 1 of the UNESCO "Declaration of Principles on Tolerance"
World Peace Society
After viewing the websites, ask students to discuss how peace is defined and represented in varied ways.
A. BIBLIOGRAPHY
Ross, Gayle. How Turtle's Back Was Cracked: A Traditional Cherokee Tale. Illus. Murv Jacobs. Dial Books for Young Readers, 1995.
B. PLOT SUMMARY
Long ago, turtle's shell was smooth. The turtle and the possum were good friends and they worked together to eat persimmons. Possum would climb a persimmon tree and swing the branches and aim it towards turtle’s mouth and he would eat some also. One day a coyote came by and saw the two and decided to trick the turtle, when Possum would swing the branches and the persimmons toward turtle, coyote would jump up and eat it before turtle could get it. Possum waited for coyote to open his mouth and threw a persimmon into his mouth with such force that it got stuck in his throat and died. Turtle saw the coyote on the ground and he convinced himself that he had killed he greedy wolf. He cuts off wolfs ears and makes spoons out of them. He starts visiting and using his spoons to eat, while bragging about being a great hunter. The wolfs get mad and decide to teach him a lesson, turtle outsmarts them and they throw him down a river bank and cracked his back. Turtle uses his knowledge of healing to put sew his back together again, but he no longer has a smooth back
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Gayle Ross wrote How Turtle’s Back was Cracked after telling the story to audiences of many ages. The tale has been around for many years, in this version the illustrator Murv Jacobs does an outstanding job in integrating the Indian attire even though his characters are animals. The turtle has a beaded skin tied around his waist; he also has strands of beads on his ankles and wrists. The possum has a necklace, a breechcloth and a pouch made out of animal skins. The colors that are used in the illustrations are vibrant and his curlicue sky adds a sense of mystery to the story.
The Indian worshiped the sun as one of their gods; the sun is given human features in the illustrations implying that he is a human being. The sun is painted looking down on the earth and its people as if taking care that everything is working well.
The wigwams are also part of the setting with the Indian women cooking on an open fire with a pot.
The Indian man has dark brown skin and dark hair worn in a Mohawk. He is holding a spear that Indians used for hunting. The Indian women have long dark hair and dark brown skin, their clothing consists of dresses made out of animal skins adorned with beaded belts and they wear moccasins.
Indian customs are weaved into the tale, “In the old days it was another custom to offer a visitor food to eat the very first thing. And there was a special dish that was usually kept cooking at all times, just to offer a guest.” (p.10)
“Now, it a custom for a hunter to take what is called a tribute from an animal he has killed. In this way he captures a piece of the animal’s spirit. (p. 9)
Indians used plants to heal the sick, in this tale turtle uses his knowledge of healing to take care of his back. “Now, turtle wasn’t a mighty hunter, but he was a good doctor. He knew many conjuring secrets. He knew the healing plants and how to prepare them.” (p. 24)
On page 24 turtle sings in the native language “Gu`daye`wu, Gu`daye`wu (GUNH-dah-YAY-wunh), I have sewn myself together. I have sewn myself together.”
D. REVIEW EXCERPTS
Booklist
From Booklist, Mar. 1995, Copyright © American Library Association.
Gathering persimmons together, friends Possum and Turtle are joined by a thieving wolf that chokes to death on their fruit. Turtle, foolishly believing that he has killed the wolf, shows off the deed by making wolf-ear spoons and eating with them publicly. When the other wolves catch Turtle, they vow to kill him by roasting, boiling, or drowning him. He responds with, "Oh, no, not the river! Anything but the river." When they throw him in, he lands upside down on a rock, cracking his shell. He survives, but that's why the Turtle has cracks on his back today. Despite its echoes of the more familiar Brer Rabbit story ("born and bred in the briar patch"), this Cherokee pourquoi tale has a flavor all its own. Ross notes that she remembers the tale from her childhood, found a written source, and developed it through storytelling to its present form. Jacob's distinctive acrylic paintings illustrate the story's dramatic moments in scenes rich in colors and patterns.
School Library Journal
A moral about behavior is linked to this Cherokee pourquoi tale. When Turtle's friend Possum kills a greedy wolf, Turtle not only takes all the credit for the deed, but boasts and flaunts his trophies. The wolves take revenge on him, but they are stupid and quarrelsome, and Turtle tricks them into throwing him into the river instead of a fire. Although he escapes death, he hits a rock and his shell is cracked into pieces. He cleverly sews himself back together, but since then all turtle shells show the joins. Jacob's naive paintings depict animals in Cherokee dress. Stylized sun and moon faces look out of a pointillist sky, and there is an autumnal hue to the landscape. Details like Turtle's wolf-ear spoons and the male body ornaments and fringed belts add authenticity. Patterned borders also use traditional design motifs. The whole has neither the slickness of Paul Goble's artwork nor the softness of Jeffers's; the crowded, somewhat clumsy ensemble evokes a time before ``real'' time began, a world without air or space, which is still not quite finished.
E. CONNECTIONS
http://edsitement.neh.gov/view_lesson_plan.asp?id=378#LESSON4
Traditions and Language of the Cherokee
Tell the students that they will now learn about the Cherokee language. Explain that the Cherokee people have their own unique alphabet made up of 85 symbols. Each symbol stands for a syllable, which is why this type of alphabet is called a syllabary. Go to Cherokee Syllabary, available through the EDSITEment-reviewed resource NativeWeb.
Make Bingo boards with words the students have learned from the Cherokee language. Then call out definitions, such as "It means butterfly in Cherokee." Students who have that word mark it with a plastic disk or other convenient marker. The first to mark all the words in a row - up and down, across, or on a diagonal - wins the game.
A. BIBLIOGRAPHY
Smith, Cynthia Leitich. 2000. JINGLE DANCER. Ill. by Cornelius Van Wright and Ying-Hwa Hu. New York: Morrow Junior Books. ISBN 0688162428
B. PLOT SUMMARY
Jenna is a typical young girl that is a member of the Muscogee (Creek) Nation and is also of Ojibway descent. She lives in Oklahoma in a traditional American home, enjoys the resources like television and DVDs and also participates in traditional Indian rituals. She is able to embrace both cultures to bring the beautiful tradition of the Jingle Dancer to live. Jenna wants to participate in the powwow by dancing the Jingle Dance but she does not have jingles to make her dress sing. She involves family and community members by asking them to let her borrow a row of jingles from their own dresses to sew them on her dress. Her grandmother helps her sew the jingles and she dances for each of the four women that helped her make her reach her goal of dancing the jingle dance. The story breaks down stereotypes usually associated with American Indians.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Cynthia Leitich Smith is a mixed blood member of the Muscogee (Creek) Nation; she incorporates Native characters, storytelling, food, dance, music and also emphasizes the importance of women in the Indian culture in her story Jingle Dancer.
The emphasis of family and community members helping each other is evident throughout the story, when Jenna goes to different members and they help her acquire the jingles that she needs for her dress. When the four different women share the jingles from their own dresses so that Jenna can make her own they are allowing the tradition of the Jingle Dance to continue to the next generation. The voice of each one of the four women that gave her jingles for her dress will be heard when Jenna dances at the powwow.
The food that is mentioned in the story is unique to the Indian culture. “Jenna daydreamed at the kitchen table, tasting honey on fry bread.” (p.2), “At powwow, I’ll be busy selling fry bread and Indian tacos.” (p.11), the book also includes a glossary that defines fry bread and Indian taco.
Fry bread: a deep-fried bread often topped with honey or jam.
Indian taco: a taco with fry bread for a base. Topping may include chicken, turkey, duck, hamburger, elk or venison along with grated cheddar, lettuce, tomatoes, onions, chilies, salsa and sour cream.
Storytelling has been a long standing tradition tied to the Indian culture, in Jingle Dancer the older generation share stories with the younger generation keeping the stories alive. “Once again, Great-aunt Sis told Jenna a Muscogee Creek story about Bat. Although other animals had said he was too small to make a difference, Bat won a ball game by fling high and catching a ball in his teeth.” (p. 9) Stories were used to teach morals. In the illustrations it also shows Jenna watching a video of her grandmother dancing on a television, allowing the reader to break the stereotype that is often attached to Indians that they sit around a campfire telling stories and they use modern technology like everyone else.
Jingle Dancer portrays women as professionals; Cousin Elizabeth is a lawyer that is busy with an important case. The illustration of Cousin Elizabeth is that of a confident woman dressed in a suit, carrying a briefcase and a law review newspaper.
The Powwow is described in the glossary as “a Native American social and spiritual event that includes dancing, drumming, singing, eating, and sometimes camping, trading, storytelling, rodeos, or film and art shows to celebrate and preserve traditions. Some are ceremonial and private in nature, while others are open to the public. Powwows are held at various time of the year, although most take place in summer.” Throughout the story the powwow is mentioned along with the sounds of the jingles and the drums. “Tink, tink, tink, tink, sang cone-shaped jingles sewn to Grandma Wolfe’s dress.” (p.1),
“her heart beating to the brum, brum, brum, brum, brum of the powwow drum. (p.1).
The illustrations of all the characters are warm, friendly and inviting. They give the reader a sense of comfort and familiarity that is common in cultures that are family oriented such as the Indian culture. The watercolors used are soft and flowing that adds to the feeling of friendliness.
D. REVIEW EXCERPTS
Publisher's Weekly: "Their easy integration of Native and standard furnishings and clothing gracefully complement Smith's heartening portrait..."
School Library Journal: "This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture."
E. CONNECTIONS
Dancing and Powwows: Music, Video, Teaching Guides, Web Sites
http://www.indianhouse.com/
Indian House Records: "Located in Taos, New Mexico, USA, Indian House is a 30-year old record company specializing in traditional American Indian music. Featured on our recordings are some of the most highly-respected Indian musicians in the United States and Canada." Indian House carries powwow, specifically jingle dance songs, as well as tapes of Creek songs and more.
http://www.tpt.org/powwow/womjingle.html
Jingle Dancing: by TPT (related to production of Wacipi powwow documentary). Photo with one of the traditional stories and discussion of dance style.
Thursday, June 25, 2009
Module 3
A. BIBLIOGRAPHY
Munoz Ryan, Pam. Esperanza Rising. New York: Scholastic Inc., 2000.
B. PLOT SUMMARY
A young girl in Mexico who has it all, she has beautiful dresses, lives on a huge hacienda, servants take care of everything even bathing and combing her hair. She is an only child and her father spoils her.
Unfortunately, tragedy befalls her family, and Esperanza and her mother are forced to travel from Mexico to the United States during the Great Depression to face their new life in the farm labor camps.
Esperanza is plunged into a new life that deals with immigration and assimilation, not only to a new country but also into a different social class. Esperanza is ill prepared for the hard work and difficult conditions she now faces. She quickly learns household chores, though, and when her mother falls ill, she works packing produce until she makes enough money to bring her beloved abuelita to the U.S. The story weaves cultural, economic, and political unrest into Esperanza's life. Esperanza faces hardships that make her a stronger person and while reading the novel you learn about the boycotting of grapes, labor camps that are segregated and the unjust treatment of farm workers.
The symbolism is heavy-handed, as when Esperanza pricks her finger on a rose thorn just before her father is killed.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Throughout the novel the characters teach others through their philosophical sayings (dichos) a characteristic of Mexican culture.
'Aguantate tantito y la fruta caera en tu mano,' he said. 'Wait a little while and the fruit will fall into your hand. You must be patient, Esperanza."' Prolog, p. 2
"No hay rosa sin espinas. There is no rose without thorns." Chapter 1, Las Uvas, p. 14
In Mexico there is division among the social classes, this are some examples from the novel:
“Mama, tall and elegant, her hair in the usual braided wreath that crowned her head” p. 5
“She was a Zapotec Indian from Oaxaca, with a short solid figure and blue-black hair in a braid down her back.” p. 15
“Miguel was the housekeeper’s son and she was the ranch owner’s daughter and between them ran a deep river.” p. 18
The Mexican culture is family oriented, this is portrayed throughtout the novel when the families all help each other out, during difficult times. They take care of each others children, they provide food for everyone not just for their family and they always pool their resources to help the less fortunate.
D. REVIEW EXCERPTS
Publishers Weekly, starred review
“Told in a lyrical, fairy-tale like style …Readers will be swept up”
School Library Journal, starred review
“Easy to booktalk, useful in classroom discussions, and accessible as pleasure reading, this well-written novel belongs in all collections.”
E. CONNECTIONS
Discuss how the story of the phoenix rising from a pile of ashes to form a new life parallels Esperanza's life.
Trace the four main changes in Esperanza's life, beginning with her childhood in Mexico as a wealthy family's daughter.
Discuss the conflicts between the strikers and those workers who are satisfied to continue with their lives as they are.
Research topics: Mexican Revolution, Cesar Chavez, Depression, Labor Camps
A. BIBLIOGRAPHY
Soto, Gary (1992). The Skirt. New York: Bantam Doubleday Dell Books for Young Readers.
B. PLOT SUMMARY
Miata is always loosing her belongings. Her mother lets her borrow her old folklorico skirt that she had worn in Mexico to use at a dance that she will be participating in at school. Miata and her best friend Ana were on the bus, they were moving from one seat to another to get away from the boys that were bothering them. While moving, to get away from the boys, Miata forgot the skirt. When she realizes that she left the skirt on the bus it is to late, the bus has left. She does not want to tell her mother that she has lost the skirt so Miata and Ana go to where they keep the buses and get into the locked area. They find the skirt and Miata is able to get the skirt safely home but not before having some adventures. She hangs the skirt on the clothesline and goes inside. Her mother tells her that she has a surprise for her, she gives her a new skirt, Miata is both happy and sad. The day of her dance she wears both skirts, the old one under the new one. Her mother sees what she has done and feels proud of her daughter.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The story revolves around a skirt that is to be used for a folklorico dance that is part of the Mexican culture. Folkloric skirts are adorned with bright colored ribbons. “The skirt was old, but a rainbow of shiny ribbons still made it pretty.” (p. 7)
The Spanish language is used throughout the story. “!Ay, Dios!” her mother chirped. “You scared me prieta.” (p. 13) “?Que Paso,” she said to Ana as she hurried off the bus. (p.47)
Mexican people are normally portrayed as dark skin, eyes and hair but not all Mexicans have those characteristics. “Little Ana had curly hair and a galaxy of freckles on her face. Miata had known one other Mexican girl who had freckles.” (p.14)
The illustrations are all done in pencil, black and white, it would have been more effective if color had been used to portray the rich colors used when describing the skirt.
D. REVIEW EXCERPTS
“Light, easy reading . . . offering readers a cast and situations with which to identify, whatever their own ethnic origins.”—The Bulletin
“A light, engaging narrative that successfully combines information on Hispanic culture with familiar and recognizable childhood themes.”
—School Library Journal
E. CONNECTIONS
Childrens literature network features books with latino characters
http://www.childrensliteraturenetwork.org/resource/readlist/favlatin.html
Cross-curricular unit designed to introduce students to Mexican culture.
http://www.cis.yale.edu/ynhti/curriculum/units/1997/1/97.01.04.x.html
Explains how to make a star pinata.
http://www.nacnet.org/assunta/nacpinat.htm
History of Mexico, explore each state of the Mexican Republic, and play games!
http://www.elbalero.gob.mx/kids/
A. BIBLIOGRAPHY
Mora, P. (2005). Doña Flor: A Tall Tale About a Giant Woman with a Great Big Heart. Colon, R. (Illus.). NewYork: Knopf Books for Young Readers.
B. PLOT SUMMARY
This story is set in the Southwest and is about a giant woman, Dona Flor, who lives peacefully in a village. This story is about compassion, friendship, and bravery.
Dona Flor is larger than life. Flor’s mother sang to her corn plants and they “grew as tall as trees”; and “when she sang to her baby… Flor grew and grew too.” She grew until she was a giant. At first the children are intimidated and laugh at the tall woman, but they soon grow used to their generous neighbor who is always willing to help them out. Flor wakes the village up every morning as she pats tortillas into shape for their morning meal. There are always extras, convenient for roofs; the children float on others, making tortilla rafts. There is no end to Flor’s creativity; even her sunflowers can be used for umbrellas. Dona Flor is wise, and eager to befriend everyone in her little pueblo.
When she was grown up she allowed everyone in her home, whether animal or person. One day the villagers are scared out of their wits by the deafening roar of a mountain lion. When the wind starts making a fuss as well Flor gets him under control with a big old hug. Finally, Flor finds the source of the giant cat's cries. Seems a puma has set up a somewhat clever hollow log device that blasts its voice over the countryside. Flor befriends the puma then she and all her animal friends settle in for the night on some comfy fluffy clouds.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Raul Colon does a wonderful job of illustrating Dona Flor she has the tan skin dark long hair that is worn with two straight braids down her back and dark eyes.
In the picture that Dona Flor is plucking a star for her friends to find their way home she is wearing a red reboso that is a traditional garment in Mexico.
The colors used in the illustrations are vibrant and very appealing and help bring the bigger than life protagonist to life.
It incorporates some Spanish words and phrases as well as a glossary.
D. REVIEW EXCERPTS
Book Links
Mora's poetic text is sprinkled with Spanish words and phrases, and Colon's whimsical scratchboard art adds an uplifting tine to this satisfying tale.
Kirkus Reviews
“Doña Flor, beautiful giantess of the American Southwest, is so tall she plucks estrellas from the sky and grabs snow from mountaintops to wake herself up in the morning. Her can tortillas are so big that her neighbors use the extra ones as roofs. This gentle giant is una amiga and protector to all, so when a roaming, roaring mountain lion begins to scare the villagers, she vows to find the guilty gato. Since she speaks all languages (even rattler), she recruits her animal friends and successfully locates the kittenish culprit on a mesa-a tiny prankster puma using a long, hollow log to generate a big "Rrr-oarrr!" that echoes down the valley. Doña Flor, serene as la luna, turns the roars to purrs and all ends well with Pumito sleeping atop her big toes. [Raul] Colón's gorgeous illustrations (with his round, swirling scratchboard style in warm, buttery colors) . . . .”
E. CONNECTIONS
•Introduce the tall tale tradition and have students explore if it is a uniquely American tradition. Have them select their favorite tall tale and illustrate it.
•Have students do a comparison of Flor and another tall tale.
•Of course, have students write and illustrate their own tall tales and, if possible, present them to another class. These could make wonderful dramatizations that could include music and technology.
http://www.patmora.com/ideas_dona.htm
this site has an audience participation poem linked with the book.
Wednesday, June 24, 2009
Module 2
A. BIBLIOGRAPHY
Woodson, Jacqueline. HUSH. New York: G. P. Putnam's Sons, 2002. Print.
B. PLOT SUMMARY
Hush is told through the eyes of a thirteen year old girl, Toswiah. She is living in Denver with her family and has never really experienced discrimination. Her father is a police officer, her mother is a school teacher and her older sister is a cheerleader. They live in a nice house; have their family and friends to share their life with.
Toswiah’s father witness two white police officers kill a young black unarmed teenager; he has to make a decision about keeping quite or doing the right thing and testifying against his friends. After much deliberation he decides to testify against the white cops, the mostly white community turns against him, and the family enters the witness protection program. Their whole life changes over night. They are whisked away to a hotel where they are kept for three weeks without any outside communication. They leave behind everything.
Toswiah is now Evie and her sister Cameron is called Anna. This story describes the family's struggles and triumphs as seen through Evie/Toswiah's eyes. The mother once a confident school teacher is now a religious fanatic. She joins the Jehovah’s Witness and wants the girls to join also. The father sits by the window doing looking at life pass him by, he tries to commit suicide. Evie only outlet is joining the track team ironically she loves running, but running away is what has turned her life into chaos. Her sister enrolls in college to get away from the life that she despises.
This novel deals with identity, racism, class and moral obligations.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The novel address the skin tones of the characters, even though they are all African American they have different color of skin. “Her mother’s brown reminds her of everything she loves: Chocolate, Dark wool, the smell of earth, Trees. The girl and her sister’s own skin is coppery – somewhere between their mother’s deep brown and their father’s lighter skin. (p. 2)
Another issue that is addressed is that blacks are often treated unfairly just because they are black. “Because he was black. That boy was standing, facing them, with his hands raised. And they shot him.” (p. 45)
“Anyone stop to think that there aren’t even enough black boys in Denver to make up an all-black gang?” (p. 47)
The father in this novel came from a middle class family that had been able to live in a white class world without suffering the prejudice that lower class black families had.
“My father was a lawyer and his father was judge. And her I am – a cop. You say it’s in Randall’s and Dennis’s blood – well, it’s in mine, too. They shouldn’t have killed Taylor.” (p. 49)
D. REVIEW EXCERPTS
Publishers Weekly
“Once again, Woodson handles delicate, even explosive subject matter with exceptional clarity, surety and depth.”
School Library Journal
“As usual, Woodson’s characterizations and dialogue are right on . . . Powerful and engaging.”
Kirkus Reviews
“Readers will be caught up in this searing and gritty story; Woodson composes a plot without easy answers…[An] involving novel about a family struggling to remain intact in sprite of tremendous obstacles.”
E. CONNECTIONS
Teaching About Tolerance Through Music" Hand out lyrics of songs that depict prejudices or racism like Peter, Paul and Mary's "Right Field" or "Don't Laugh at Me." After students have had a chance to read the lyrics, engage them in a discussion of the song's message. Following a discussion have students do one of the following: paint or draw a picture showing the song's emotions, write a poem about their personal feelings dealing with prejudices against them, or join other students to perform the song discussed. Summarized from Education World, a lesson plan by Gary Hopkins at http://www.educationworld.com/alesson/03/lp294-04.shtml ]
Write about an individual who overcame obstacles of prejudice to accomplish something worthwhile. This could be a great political leader, a teacher, or even a family member.
For one week, keep a listing of television programs in which prejudiced comments or actions are shown. Discuss these with your family or class. How do these programs affect our views of each other and how we treat each other?
A. BIBLIOGRAPHY
Pinkney, Brian. Max Found Two Sticks. New York: Aladdin Paperbacks, 1997.
B. PLOT SUMMARY
On a day when Max doesn't feel like talking to anyone, a strong breeze shakes two heavy twigs to the ground in front of his brownstone home. Picking them up, the young African-American boy begins to beat out a rhythm that imitates the sound of pigeons startled into flight. Soon he is tapping out the beat of everything around him-rain against the windows, the chiming of church bells, and the thundering sound of a train on its tracks. While reading this delightful book you can hear the rhythms that Max is imitating from the sounds that he hears around the city.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The story takes place in New York and you can see the World Trade Center on the page where the train is speeding by.
Several pictures show the children standing and playing on the stoop of their houses. Which is also a feature that is found in houses in New York City.
Max Found Two Sticks was lauded by critic Hazel Rochman for its high-quality balance between text and art. In her Booklist review, Rochman termed the text "a spare, rhythmic accompaniment" to Pinkney's oil and scratchboard illustrations, which "swirl and circle" through the pages, "filling them with energy and movement."
D. REVIEW EXCERPTS
Publishers Weekly (June 2, 1997)
"The fluid lines of Pinkney's distinctive scratchboard illustrations fairly swirl with energy, visually translating Max's joy in creating rhythm and sound," said PW about this account of a novice drummer. Ages 5-8.
E. CONNECTIONS
Discuss how music, like stories and writing, can have a main idea. Play three music selections from different genres. Have students work in small groups to determine the main idea of each selection.
Current pop song ("So Yesterday" by Hilary Duff, "Complicated" by Avril Lavigne)
Traditional song ("I've Been Working on the Railroad," "Clementine")
Classical song ("Toccata and Fugue in D Minor" by Bach, "William Tell Overture" by Rossini)
Divide students into small groups.
Play one of the music selections again in full. You may want to print or discuss the song lyrics. As you listen to each piece, ask each group to fill out a Graphic Organizer (PDF) to record the main ideas and details of each piece.
A. BIBLIOGRAPHY
Lester, Julius (1997). John Henry. New York: Puffin Book. Pictures by Jerry Pinkney
B. PLOT SUMMARY
This tall tale is about a man named John Henry, he is exceptional from the time that he is born. He grows at an alarming rate. He grew so fast that "his head and shoulders busted through the roof which was over the porch" of his family's home in 1870s West Virginia.
John Henry is always doing good deeds that help not only his family but others as well.
He challenges the meanest man in the state, Ferret-Faced Freddy to a race. Freddy will use his horse while John Henry will run using just his legs, John Henry wins and Freddy becomes Fredrick the Friendly. Ultimately he comes across crew that is building a railroad track through the mountain. He volunteers to help, the John Henry challenges the boss to a contest “Your steam drill against me and my hammers.” When John Henry and the stream drill met inside the mountain, the boss was amazed to find that while he had come only a quarter of a mile, John Henry had come a mile and a quarter. John Henry walked out of the tunnel to the cheers of the other workers, then fell to the ground and died. Everyone who was there came to the realization that "Dying ain't important. Everybody does that. What matters is how well you do your living."
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The illustrations are beautifully done, the animals have expressions and the colors that are used make it seem so real. The picture of John Henry as a baby holding the cradle above his head show some features of an African American, his skin tone and the texture of his hair.
Southern dialect is also used in John Henry “Don’t make me no never mind”
D. REVIEW EXCERPTS
From Publishers Weekly
A great American hero comes fully to life in this epic retelling filled with glorious, detailed watercolors. From his momentous birth, when all the animals come to see him and the sun won't go to bed, John Henry works wonders. As a child he helps his father by adding "a wing onto the house with an indoor swimming pool and one of them jacutzis"-and that's just before lunch. Other episodes trace the growth of his generous spirit. His greatest feat is, of course, in his battle against the steam drill, as he races the machine to cut through "a mountain as big as hurt feelings." He dies ("he had hammered so hard and so fast and so long that his big heart had burst"), but the onlookers understand that "dying ain't important.... What matters is how well you do your living."
Booklist, starred review
A tall tale and heroic myth, a celebration of the human spirit....The story is told with rhythm and wit, humor and exaggeration, and with a heart-catching immediacy that connects the human and the natural world." –
E. CONNECTIONS
Tall Tales. Read other tall tales. How is a tall tale like and unlike other stories? How was the story exaggerated?
Compare Tales. How does this tall tale compare to other tall tales. Read Paul Bunyan, Swamp Angel, Johnny Appleseed or other tall tales.
African American Tale. Many tall tales are about white men. How is this tale different? Does the race of John Henry impact the story? How?
Write a Whopper. Some people call tall tales "whoppers." Write a whopper.
Thursday, June 18, 2009
Module 1
The Shadows of Ghadames
A. BIBLIOGRAPHY
The Shadows of Ghadames, Joelle Stolz, Delcorte Press, New York, 1999.
Originaly published in France in 1999 by Bayared Editions Jeunesse
ISBN: 0-385-73104-3
B. PLOT SUMMARY
Malika lives in a town in Libya in the late nineteenth century. Women stay in the houses and on the rooftops, while men are free to walk the streets. As her brother goes out and begins working, and her merchant father sets out on another long trading journey, Malika feels increasingly imprisoned by her circumscribed life, in which she is not even permitted to learn to read and write, but knows she will be married off soon.
When her father's second wife rescues a wounded man being chased by a mob, she puts the whole family in danger. Hiding him in the house where there are women is strictly forbidden. But Malika is glad, because he begins teaching her how to read.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Stolz explores gender roles, courage, and gives a fascinating glimpse into Berber culture.
In this book it gives the reader an insight of the way that people dress in Libya. “His camel-hair burnoose is slung over his shoulders and his head is wrapped in a turban with the flaps floating around his neck.” Women in this culture must cover up completely and never allow anyone but the husband to see them with out their traditional clothing and veil. Women also are tattooed mostly on their hands and arms each tattoo has a significant meaning.
The father’s character is different from traditional Muslim men. He follows his Muslim beliefs by taking a second wife when his first wife (Malika’s mother) can not give him a child. He is reluctant to do so even though his family strongly suggests that he must find a wife that can produce a child for him. He takes his second wife and she gives birth to a son, shortly after Merium (Malika’s mother) also gets pregnant. He is a fair man and tries to give his daughter freedom that is frowned upon in their society. Malika is asking her father to let her go with him to the end of the city, her brother tells her that she can not go because “she is just a girl” the father responses “Since you are the two children God has given me,” my father declares “both of you will come.” The character of the father is used to put into the minds and mouths of the characters ideas from Western culture that doesn’t belong there: those women should have more freedom, that their lives are unfair, that their culture and religion are wrong.
The life of a women being confined to rooftops is interesting. They have their own way of adding excitement to their lives by painting gardens on the wall, having their own market and they have a strong bond between them. The author does a good job of portraying a vivid picture of the rooftop community. The rooftops of Ghadames are like a city above the city, an open, sunny town for women only, where they walk about, lead their own lives, visit one another, and never talk to men. Twenty feet below, the men walk in the cool shade of the alleyways, conduct business, and never talk to women. These two worlds, my mother often says, are as necessary and different as the sun and the moon. And the sun and the moon never meet, except at the beginning and end of the night."
One night a man is wounded, he is being chased out of the city because he has come to preach a new way of life. Bilkisu decides to bring the man into their house. She then tells her son that he is now a man and is no longer allowed on the rooftop with the women, to keep the man a secret. While nursing him back to good health he starts teaching Milika how to read. She is a fast learner and when her father comes back from his trip he arranges for her to continue learning even though it goes against their beliefs.
This book provides a lot of opportunities to discuss cultural expectations, and "doing the right thing."
D. REVIEW EXCERPTS
School Library Journal
This quiet story is notable for the intimate picture of the traditional Muslim world that it conveys; unfortunately, not until the author's note at the end is the time period made evident. The imprecise use of language may make it difficult for readers to visualize this distant world and to understand the characters' motivations. Still, this novel would be useful in schools studying this part of the world
BookList
*Starred Review*
Stolz invigorates her tale with elegant prose and a deft portrayal of a girl verging on adolescence. The vivid backdrop is intoxicating, but the story's universal concerns will touch readers most: sibling jealously, confusion about adult customs, and a growing interest in a world beyond family.
E. CONNECTIONS
QUESTIONS FOR GROUP DISCUSSION
1. Malika has been taught her place in the society in which she lives, but she does not seem satisfied with her lot in life. She longs to travel with her father and to have an education like her brother. What are her feelings toward her culture? How does she come to terms with her desires and the traditions of her people?
2. Abdelkarim tells Malika, “I learned several things while I was in hiding on your rooftop. For example, that the world of women is not as stupid as I thought” (p. 102) What did he observe and hear that led him to this conclusion?
3. Malika’s father is more open-minded than most men in his culture. What are some of the traditions he is willing to relinquish? Why?
INTERNET RESOURCES
Taking It Global
understanding.takingitglobal.org/diversity
Discusses cultural diversity in America.
Cultural Diversity–a CCSD research program
www.ccsd.ca/subsites/cd/docs/iy/lifestyl.htm
Lifestyle patterns of immigrant youth.
Muslim Culture
http://www.buzzle.com/articles/muslim-culture-and-traditions.html
http://www.islamiclearningmaterials.com/muslim-culture.html
*************************************************************************
Chronicle of a Death Foretold
A. BIBLIOGRAPHY
Chronicle of a Death Foretold, Gabriel Garcia Marquez, Alfred A. Knopf, Random House, 1982. Translated from teh Spanish by Gregory Rabassa.
B. PLOT SUMMARY
The narrator dredges up the twenty-seven-year old murder of Santiago Nassar by speaking to the man's mother and several others familiar with the story. The story is told by five different points of views.
One morning Nassar wakes up groggy from the wedding festivities held the night before. Like his father Ibrihim, an Arab immigrant, Nassar has a fondness for young virginal girls. He is portrayed as a womanizer and is not well liked by the towns people. His behavior indicates that he thinks that because he is rich he is entitled to do as he pleases with the women that he encounters. A warning note, giving the details of his pending murder, is slipped under his door but goes undetected until afterward. Waiting with knives are Pedro and Pablo Vicario, the twin brothers of disgraced, beautiful, and newly wed Angela Vicario. When it was discovered by her groom that the young bride was not a virgin, she was returned to the house of her parents in humiliation. As retribution, Nassar was to be killed for their shame.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
This short novel details the actions of the Vicario brothers and Nasar in the hours leading up to Nasar's death. The novel is not really about either the killers or the victim, however, it's about the people of their small Caribbean village.
The variety of characters in this novel provides an insight into the diversity of different groups.
Bayardo San Roman The man who marries Angela Vicario. He comes from a wealthy and prestigious family. When he arrives in town, he is described as having a slim waist and golden eyes.
Santiago Nasar of Arab decent. He speaks with his father in his native language creating a special bond between them. His arrogance is evident in the way that he tries and succeeds in seducing the young girls in the village. His social status allows him to get away with his actions.
Placida Linero , Santiago's mother. She has a well-earned reputation as an interpreter of dreams. She never forgives herself for misinterpreting the dream about trees and birds that her son had the night before his death. The superstitions and religious beliefs are found throughout the novel.
The latino “machismo” which a part of their culture is evident when the two Vicario brothers tell everyone that they encounter that they are planning to kill Santiago no one does anything to stop the murder. It seems that the brothers do not want to commit the murder and want to be stopped. They are avenging the family honor by murdering the man that took their sister’s virginity. Several passages throughout the book mention the sister’s honor. “the brothers Vicario had proved their status as men, and the seduced sister was in passion of her honor once more.” (p. 84) The women also believed that the family honor should be protected. Prudencia Cotes Pablo Vicario's finance, says “she would not have married Pablo if he had not upheld the honor of his sister by killing the man who took her virginity.”
The novel suggests that women should be a virgin until they marry and that men can have sexual encounters without any consequences is part of the culture.
The novel portray women to be inferior to men they had to obey what their parents and then their husbands ordered. “imposed on her the obligation to marry a man whom she had barely seen.” (p. 34). Angela was not allowed to go see the house that her fiancé had purchased for her without being accompanied by her parents. “The girls had been reared to get married. They knew how to do screen embroidery, sew by machine, weave bone lace, wash and iron, make artificial flowers and fancy candy, and write engagement announcements.” (p. 31)
Angela does the unthinkable; she decides that she will not trick her groom into thinking that she is a virgin. She knows that she will be humiliated but decides to go ahead and tells the truth.
D. REVIEW EXCERPTS
The New York Times Book Review
“Exquisitely harrowing. . . . Very strange and brilliantly conceived. . . . A sort of metaphysical murder mystery. . . . The murder will stand among the innumerable murders of modern literature as one of the best and most powerfully rendered.”
E. CONNECTIONS
themes - Ritual, powerlessness of women, importance of cultural traditions like honor
motifs - Magic realism
symbols - Dreams; the weather
Investigate Latin American culture to gain an understanding of the idea of "male honor." What is the view of male image in Latin American culture today? How has this affected the treatment of women in Latin America?
Compose character sketches of the women in Chronicle of a Death Foretold. Describe their lives, their aspirations, the choices that are available to them, and their individual responses to the circumstances in which they find themselves.
*********************************************************************************
Koala Lou
A. BIBLIOGRAPHY
Koala Lou / written by Mem Fox ; illustrated by Pamela Lofts. San Diego : Harcourt Brace Jovanovich, [1989], c1988.
B. PLOT SUMMARY
Koala Lou mother is always telling her how much she loves her. After her mother has more koalas she gets very busy and does not tell Koala Lou that she loves her like she use to. Koala Lou is feeling rejected when new brothers and sisters arrive. She thinks she is not special anymore. Koala is trying to find a way to get her mother’s attention and she wants to hear that she loves her. She starts training for the Bush Olympics; she wants to win so that her mother will be proud of her and tell her that she loves her once more. Unfortunately Koala Lou comes in second, she runs away to hide up in a tree. Her mother is waiting for her and tells her “Koala Lou, I DO love you”.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Koala Lou addresses the issue about sibling rivalry. Koala feels that she is not loved because her mother does not tell her all the time. It also teaches the reader that winning a competition is not the answer to her problem. In the end Koala understands that her mother does love her even though she does not always tell her.
Lofts's colored-pencil drawings portray the Australian flora and fauna beautifully, including a few of the more exotic species. The illustrator made all the animals look menacing, but not terrifying. The drawing of the emu really gives the reader the idea that this emu doesn't tend to like other animals.
D. REVIEW EXCERPTS
The Horn Book
“A first-rate choice for bedtime, story hour, or reading aloud.”--
Publishers Weekly
Fox's books send out positive messages to children about the wonders of being human: Koala Lou celebrates the eternal love of a mother for her child without the sentimentality of Robert Munsch's Love You Forever.
Children's Literature Review:
The koala heroine enters the Bush Olympics and hopes to win the gum tree-climbing event so that her mother--overwhelmed by the birth of many, many koala babes--will tell her eldest daughter "Koala Lou, I DO love you." Even though Lou loses the event, she gains what she most wants: the knowledge that her mother loves her--and always will. My favorite illustration shows fluffy Lou racing in red sneakers and pumping weights. Reviewed by Mary Quattlebaum.
E. CONNECTIONS
Activating schema relating to Australian animals and the Olympics would be essential to comprehension of this story.
Koalas - what koalas look like, what koalas eat, where they live.
Zoom School Australia - This is a visually appealing web site geared toward young children. They can click on different pictures to learn many facts about Australia.
Australian Animals - This is a great interactive web site where children can click on animals to see and learn about them (location, habitat, and description).
A. BIBLIOGRAPHY
The Shadows of Ghadames, Joelle Stolz, Delcorte Press, New York, 1999.
Originaly published in France in 1999 by Bayared Editions Jeunesse
ISBN: 0-385-73104-3
B. PLOT SUMMARY
Malika lives in a town in Libya in the late nineteenth century. Women stay in the houses and on the rooftops, while men are free to walk the streets. As her brother goes out and begins working, and her merchant father sets out on another long trading journey, Malika feels increasingly imprisoned by her circumscribed life, in which she is not even permitted to learn to read and write, but knows she will be married off soon.
When her father's second wife rescues a wounded man being chased by a mob, she puts the whole family in danger. Hiding him in the house where there are women is strictly forbidden. But Malika is glad, because he begins teaching her how to read.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Stolz explores gender roles, courage, and gives a fascinating glimpse into Berber culture.
In this book it gives the reader an insight of the way that people dress in Libya. “His camel-hair burnoose is slung over his shoulders and his head is wrapped in a turban with the flaps floating around his neck.” Women in this culture must cover up completely and never allow anyone but the husband to see them with out their traditional clothing and veil. Women also are tattooed mostly on their hands and arms each tattoo has a significant meaning.
The father’s character is different from traditional Muslim men. He follows his Muslim beliefs by taking a second wife when his first wife (Malika’s mother) can not give him a child. He is reluctant to do so even though his family strongly suggests that he must find a wife that can produce a child for him. He takes his second wife and she gives birth to a son, shortly after Merium (Malika’s mother) also gets pregnant. He is a fair man and tries to give his daughter freedom that is frowned upon in their society. Malika is asking her father to let her go with him to the end of the city, her brother tells her that she can not go because “she is just a girl” the father responses “Since you are the two children God has given me,” my father declares “both of you will come.” The character of the father is used to put into the minds and mouths of the characters ideas from Western culture that doesn’t belong there: those women should have more freedom, that their lives are unfair, that their culture and religion are wrong.
The life of a women being confined to rooftops is interesting. They have their own way of adding excitement to their lives by painting gardens on the wall, having their own market and they have a strong bond between them. The author does a good job of portraying a vivid picture of the rooftop community. The rooftops of Ghadames are like a city above the city, an open, sunny town for women only, where they walk about, lead their own lives, visit one another, and never talk to men. Twenty feet below, the men walk in the cool shade of the alleyways, conduct business, and never talk to women. These two worlds, my mother often says, are as necessary and different as the sun and the moon. And the sun and the moon never meet, except at the beginning and end of the night."
One night a man is wounded, he is being chased out of the city because he has come to preach a new way of life. Bilkisu decides to bring the man into their house. She then tells her son that he is now a man and is no longer allowed on the rooftop with the women, to keep the man a secret. While nursing him back to good health he starts teaching Milika how to read. She is a fast learner and when her father comes back from his trip he arranges for her to continue learning even though it goes against their beliefs.
This book provides a lot of opportunities to discuss cultural expectations, and "doing the right thing."
D. REVIEW EXCERPTS
School Library Journal
This quiet story is notable for the intimate picture of the traditional Muslim world that it conveys; unfortunately, not until the author's note at the end is the time period made evident. The imprecise use of language may make it difficult for readers to visualize this distant world and to understand the characters' motivations. Still, this novel would be useful in schools studying this part of the world
BookList
*Starred Review*
Stolz invigorates her tale with elegant prose and a deft portrayal of a girl verging on adolescence. The vivid backdrop is intoxicating, but the story's universal concerns will touch readers most: sibling jealously, confusion about adult customs, and a growing interest in a world beyond family.
E. CONNECTIONS
QUESTIONS FOR GROUP DISCUSSION
1. Malika has been taught her place in the society in which she lives, but she does not seem satisfied with her lot in life. She longs to travel with her father and to have an education like her brother. What are her feelings toward her culture? How does she come to terms with her desires and the traditions of her people?
2. Abdelkarim tells Malika, “I learned several things while I was in hiding on your rooftop. For example, that the world of women is not as stupid as I thought” (p. 102) What did he observe and hear that led him to this conclusion?
3. Malika’s father is more open-minded than most men in his culture. What are some of the traditions he is willing to relinquish? Why?
INTERNET RESOURCES
Taking It Global
understanding.takingitglobal.org/diversity
Discusses cultural diversity in America.
Cultural Diversity–a CCSD research program
www.ccsd.ca/subsites/cd/docs/iy/lifestyl.htm
Lifestyle patterns of immigrant youth.
Muslim Culture
http://www.buzzle.com/articles/muslim-culture-and-traditions.html
http://www.islamiclearningmaterials.com/muslim-culture.html
*************************************************************************
Chronicle of a Death Foretold
A. BIBLIOGRAPHY
Chronicle of a Death Foretold, Gabriel Garcia Marquez, Alfred A. Knopf, Random House, 1982. Translated from teh Spanish by Gregory Rabassa.
B. PLOT SUMMARY
The narrator dredges up the twenty-seven-year old murder of Santiago Nassar by speaking to the man's mother and several others familiar with the story. The story is told by five different points of views.
One morning Nassar wakes up groggy from the wedding festivities held the night before. Like his father Ibrihim, an Arab immigrant, Nassar has a fondness for young virginal girls. He is portrayed as a womanizer and is not well liked by the towns people. His behavior indicates that he thinks that because he is rich he is entitled to do as he pleases with the women that he encounters. A warning note, giving the details of his pending murder, is slipped under his door but goes undetected until afterward. Waiting with knives are Pedro and Pablo Vicario, the twin brothers of disgraced, beautiful, and newly wed Angela Vicario. When it was discovered by her groom that the young bride was not a virgin, she was returned to the house of her parents in humiliation. As retribution, Nassar was to be killed for their shame.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
This short novel details the actions of the Vicario brothers and Nasar in the hours leading up to Nasar's death. The novel is not really about either the killers or the victim, however, it's about the people of their small Caribbean village.
The variety of characters in this novel provides an insight into the diversity of different groups.
Bayardo San Roman The man who marries Angela Vicario. He comes from a wealthy and prestigious family. When he arrives in town, he is described as having a slim waist and golden eyes.
Santiago Nasar of Arab decent. He speaks with his father in his native language creating a special bond between them. His arrogance is evident in the way that he tries and succeeds in seducing the young girls in the village. His social status allows him to get away with his actions.
Placida Linero , Santiago's mother. She has a well-earned reputation as an interpreter of dreams. She never forgives herself for misinterpreting the dream about trees and birds that her son had the night before his death. The superstitions and religious beliefs are found throughout the novel.
The latino “machismo” which a part of their culture is evident when the two Vicario brothers tell everyone that they encounter that they are planning to kill Santiago no one does anything to stop the murder. It seems that the brothers do not want to commit the murder and want to be stopped. They are avenging the family honor by murdering the man that took their sister’s virginity. Several passages throughout the book mention the sister’s honor. “the brothers Vicario had proved their status as men, and the seduced sister was in passion of her honor once more.” (p. 84) The women also believed that the family honor should be protected. Prudencia Cotes Pablo Vicario's finance, says “she would not have married Pablo if he had not upheld the honor of his sister by killing the man who took her virginity.”
The novel suggests that women should be a virgin until they marry and that men can have sexual encounters without any consequences is part of the culture.
The novel portray women to be inferior to men they had to obey what their parents and then their husbands ordered. “imposed on her the obligation to marry a man whom she had barely seen.” (p. 34). Angela was not allowed to go see the house that her fiancé had purchased for her without being accompanied by her parents. “The girls had been reared to get married. They knew how to do screen embroidery, sew by machine, weave bone lace, wash and iron, make artificial flowers and fancy candy, and write engagement announcements.” (p. 31)
Angela does the unthinkable; she decides that she will not trick her groom into thinking that she is a virgin. She knows that she will be humiliated but decides to go ahead and tells the truth.
D. REVIEW EXCERPTS
The New York Times Book Review
“Exquisitely harrowing. . . . Very strange and brilliantly conceived. . . . A sort of metaphysical murder mystery. . . . The murder will stand among the innumerable murders of modern literature as one of the best and most powerfully rendered.”
E. CONNECTIONS
themes - Ritual, powerlessness of women, importance of cultural traditions like honor
motifs - Magic realism
symbols - Dreams; the weather
Investigate Latin American culture to gain an understanding of the idea of "male honor." What is the view of male image in Latin American culture today? How has this affected the treatment of women in Latin America?
Compose character sketches of the women in Chronicle of a Death Foretold. Describe their lives, their aspirations, the choices that are available to them, and their individual responses to the circumstances in which they find themselves.
*********************************************************************************
Koala Lou
A. BIBLIOGRAPHY
Koala Lou / written by Mem Fox ; illustrated by Pamela Lofts. San Diego : Harcourt Brace Jovanovich, [1989], c1988.
B. PLOT SUMMARY
Koala Lou mother is always telling her how much she loves her. After her mother has more koalas she gets very busy and does not tell Koala Lou that she loves her like she use to. Koala Lou is feeling rejected when new brothers and sisters arrive. She thinks she is not special anymore. Koala is trying to find a way to get her mother’s attention and she wants to hear that she loves her. She starts training for the Bush Olympics; she wants to win so that her mother will be proud of her and tell her that she loves her once more. Unfortunately Koala Lou comes in second, she runs away to hide up in a tree. Her mother is waiting for her and tells her “Koala Lou, I DO love you”.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Koala Lou addresses the issue about sibling rivalry. Koala feels that she is not loved because her mother does not tell her all the time. It also teaches the reader that winning a competition is not the answer to her problem. In the end Koala understands that her mother does love her even though she does not always tell her.
Lofts's colored-pencil drawings portray the Australian flora and fauna beautifully, including a few of the more exotic species. The illustrator made all the animals look menacing, but not terrifying. The drawing of the emu really gives the reader the idea that this emu doesn't tend to like other animals.
D. REVIEW EXCERPTS
The Horn Book
“A first-rate choice for bedtime, story hour, or reading aloud.”--
Publishers Weekly
Fox's books send out positive messages to children about the wonders of being human: Koala Lou celebrates the eternal love of a mother for her child without the sentimentality of Robert Munsch's Love You Forever.
Children's Literature Review:
The koala heroine enters the Bush Olympics and hopes to win the gum tree-climbing event so that her mother--overwhelmed by the birth of many, many koala babes--will tell her eldest daughter "Koala Lou, I DO love you." Even though Lou loses the event, she gains what she most wants: the knowledge that her mother loves her--and always will. My favorite illustration shows fluffy Lou racing in red sneakers and pumping weights. Reviewed by Mary Quattlebaum.
E. CONNECTIONS
Activating schema relating to Australian animals and the Olympics would be essential to comprehension of this story.
Koalas - what koalas look like, what koalas eat, where they live.
Zoom School Australia - This is a visually appealing web site geared toward young children. They can click on different pictures to learn many facts about Australia.
Australian Animals - This is a great interactive web site where children can click on animals to see and learn about them (location, habitat, and description).
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