Tuesday, July 21, 2009

Module 5



BIBLIOGRAPHY
Yep, Laurence. 2000. Cockroach cooties. New York: Hyperion Books for Children.

PLOT SUMMARY
When eight-year-old Bobby insults Arnie, the school bully known as Arnie-zilla, Teddy attempts to walk away and let Bobby “learn how to deal with problems on his own”. However, family responsibility wins out and Teddy saves Bobby and brings the wrath of Arnie-zilla down on his head also. The two brothers attempt to deal with Arnie but are unsuccessful until Bobby inadvertently discovers Arnie’s fear of bugs—especially cockroaches. Bobby adopts a cockroach and names it Hercules, and, with the help of Charlie, the Bug Lady who lives in their building, Bobby tries to get Teddy to see the world through the eyes of Hercules. While celebrating their Mom’s birthday at a Chinese restaurant, Uncle Mat finds a cockroach in his food and Bobby is sad when they kill the cockroach. When they arrive at home Bobby realizes that the cockroach at the restaurant was not Hercules, unfortunately his father ends up killing Hercules so Bobby mourns his death twice. The boys are now worried since they do not have anything to scare Arnie with. Bobby remembers Charlie’s cookies—the ones with a secret ingredient guaranteed to win the war with Arnie. Bobby and Teddy talk to Arnie and realize that he does not have a stable happy household and he bullies others in order to cover up his own insecurities. The story is filled with funny scenes and teaches a lesson about bullies.

CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Cockroach Cooties is a story about a Chinese American family living in San Francisco’s Chinatown. Although the characters’ heritage is shown throughout the story, their background is not the main emphasis of the story. The only reference about the appearance of the character is the picture of two books with Chinese heritage that is on the cover of the book. The family lives in Chinatown, and the boys attend a school where they have a one-hour Chinese lesson every day. The Chinese characters are used in the classroom “When I tried to write the Chinese character, everyone laughed.” (p. 31) Unlike her students, their teacher, Miss Lee, “liked to wear Chinese-style dresses that had a slit up one leg” and “liked the old-fashioned Chinese discipline, too”. (p.29)
When the family goes to a Chinatown restaurant to celebrate Teddy and Bobby’s mom’s birthday, there is reference to the behavior of a Chinatown waiter—“You just didn’t say things like that to a Chinatown waiter. It was like ordering around the president.” (p. 77) The food that the family eats at the restaurant appears to be traditional Chinese food—paper-wrapped chicken, fish in a black bean sauce, and a prawn dish “arranged so the prawns seemed to be dancing together in the center”.(p. 78) Bobby’s Uncle Mat ate the eyeball of the fish, which is considered a delicacy in some families.
There is no reference to dialect or traditional languages in the book, and the language patterns of the Chinese American characters are no different than the dialect and language found in books with characters from other countries. The names of the characters are not noticeably Chinese. The only reference to an accent or varying dialect is found in the words of the stall owner in Chinatown. His responses to the boys include “ver-ree han-dee”, “ver-ree love-lee”, and ver-ree use-ful”, intimating a strong accent that is not seen in the other characters.(p. 15)
Throughout the book, Yep incorporates images of San Francisco’s Chinatown and the life of a typical Chinese American family. The family’s dedication to education and each other is obvious as Teddy and Bobby deepen their brotherly bond and Teddy begins to see the world through the eyes of others.

REVIEW EXCERPTS
Publisher’s Weekly. Full of the sights and sounds of San Francisco’s Chinatown, the tale zips along at a brisk pace, percolating with snappy dialogue. A seasoned craftsman, Yep (Dragonwings; The Imp Who Ate My Homework) effortlessly shoehorns in fun facts about insects (”Did you know that cockroaches have two brains?” Bobby asks the hapless Arnie as he pursues him with Hercules). An altogether chipper outing.
School Library Journal. Set in the Chinatown section of San Francisco, this modern-day tale is about two brothers, eight and nine, previously featured in Later, Gator (Hyperion, 1995). Teddy, the older child, narrates. Bobby feels responsible for getting Teddy involved with a treacherous bully at school, so he devises a plan to scare the fiend with a cockroach that he obtains from “The Bug Lady,” a neighbor studying entomology. The plan is effective until the roach meets with an unfortunate end, but Bobby has a new secret plan that brings Arnie to his knees. Eventually, they realize that his tough attitude is a result of uncaring parents and a difficult home life, and a tentative friendship is formed.

CONNECTIONS
With the fun facts about insects thrown in, this is a great read-aloud for students to hear during a study of insects and/or etymology.
Look for these other stories with an Asian/Pacific American cultural influence:
Yep, Laurence. The magic paintbrush.
Namioka, Lensey. Yang the youngest and his terrible ear
Na, An. A step from Heaven. ISBN 9780142500279
Kadohata, Cynthia. Kira-kira. ISBN 9780689856402
Park, Linda Sue. A single shard. ISBN 9780440418511







A. BIBLIOGRAPHY
Sixteen Years in Sixteen Seconds: the Sammy Lee Story. Paula Yoo, Lee & Loo Books, Inc., New York 2005


B. PLOT SUMMARY

Sixteen Years in Sixteen Seconds is a story about a young Korean boy Sammy that discovers that he loves to dive. Unfortunately Sammy is not allowed to swim in the community pool except for one day of the week. He does not let discrimination get in the way of becoming a diver. He dreams of participating in the Olympics and faces another obstacle, his father wants him to become a doctor and quit wasting his time practicing diving. They come to an agreement Sammy will continue his education and become a doctor and he will continue practicing his diving.

During this time Sammy also served in the US Army during WWII, but he never forgot his dream of becoming an Olympic athlete. In 1946, Sammy got permission from the US Army and competed in the 1946 National Diving Championship. In 1948, Sammy was on the US Olympic Diving team, where he won the Gold and the Bronze metal in diving. In 1952, Sammy came back and defended his Olympic title with another Gold medal. Sammy was the first Asian American to win an Olympic medal and also the first male diver to win gold medals at consecutive Olympics for the same event.


C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Paula Yoo writes the story about Sammy Lee a young Korean boy that faces many obstacles to become the first Asian American to win an Olympic medal. The story
allows the reader to see the Korean culture sharing their beliefs, dreams and obstacles that immigrants faced.

Discrimination was an obstacle that Sammy Lee faced throughout his life. “The sign at the swimming pool read, MEMBERS ONLY. The sign meant that only whites were permitted to enter even though it was a public pool.” (p.1) This was the practice in 1932. Paula Yoo transports her readers back through time to the bad old days of segregation;

“Despite his academic and athletic success, Sammy still faced discrimination. During his senior year of high school, Sammy could not attend his own prom.” (p. 12)

Sammy Lee’s father, who "left Korea for a better life in America," wants his son to be a doctor. Sammy wants to be an Olympic champion. Sammy fulfills both his father’s goal and his own.
He had to put up with discrimination because of his lack of education. “Then one afternoon Sammy witnessed a rude customer berating his father at the restaurant. “(p.13)

“Despite his achievements, Sammy continued to face discrimination. Once after performing at a diving exhibition with his friends, Sammy was forbidden from entering a restaurant to have dinner with them. And Sammy was still restricted from using some pools except on assigned days.” (p. 16)

Sammy’s parents had come to America to follow their dream of a better life. “In America, Sammy father said, “you can achieve anything if you set your heart to it.” (p.6)
Sammy’s dream to winning an Olympic medal was the driving force that made him a strong determined young man. “He no longer wanted to win just for himself. He wanted to win to prove that no one should be judged by the color of his or her skin.” (20)
“The crowd roared. Voices filled the cavernous stadium, but all Sammy could hear were his father’s words: “In America, you can achieve anything if you set your heart to it. (p. 26)

The story does not have any connections with the Korean culture that deals with food or physical image. The illustrations do have Korean characteristics with dark hair, eyes and skin color. The Language that is used is all English.


D. REVIEW EXCERPTS
Kirkus

The title refers to the 16 years he trained for the 16 seconds it took to perform his winning dive. This hero's inspirational story demonstrates determination and dedication by a man who never gave up and is still an active athlete today at the age of 84."

Publishers Weekly

Touching on themes of discrimination and determination, this motivational tale concludes with an author's note that provides details of Sammy's post-Olympic life."

E. CONNECTIONS

Use a case study to raise your group's understanding and awareness of discrimination. Begin with a real example, if you can find one that is age appropriate. Read the case together and go over the details to make certain everyone understands. Ask group members to identify the relevant facts; following the "fact or feeling" exercise, make certain they can verify the facts and distinguish them from opinion. As the group discusses the case, listen for comments that suggest a lack of understanding or a tendency to excuse discrimination. Encourage them to explain their thoughts.

http://www.olympic.org/uk/games/index_uk.asp
They Olympic Games office website

Biography of Olympian Dr. Sammy Lee
http://www.super-cool-products.com/thesammysporttowels/biographydrsammylee.html






A. BIBLIOGRAPHY
Say, Allen. 1982. The Bicycle Man: Houghton Mifflin Company. ISBN 0-395-32254-5

B. PLOT SUMMARY

A schoolyard filled with students and parents are participating in a sportsday. The children are on teams and they are playing games like tug of war and piggyback races. The parents also paired up and had a three legged race. Two American soldiers appear and are leaning over the fence observing the festivities. The children and adults are staring at them; they had never seen them on their mountain. One of the soldiers comes toward them and asked to borrow a bicycle. The principal lets him borrow his. He starts riding the bicycle and does the most amazing tricks on it. The red haired soldier acts as a ringmaster shouting encouragement. Everyone is astonished they have never seen anything like this before. After the bicycle show they decide to award the largest box from the prize table to the two soldiers.


C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Say’s description of the island is detailed, “The schoolhouse stood halfway up a tall green mountain.” “From the playground we could see the town, the ships in the harbor, the shining sea” (p.1) it helps the reader visualize the setting.

Another cultural marker is the food “The layers of lacquered boxes held picked melon rinds and egg rolls, spiced rice and fish cakes. Here were apples and peaches and sweets of all sorts. (p. 13). The illustration on p. 14 shows the people using chopsticks, the trays that hold the food and tea kettles. The boxes filled with food are stacked on top of each other. The shoes are removed and are placed outside of the mat.

The formal greeting is also a part of Japanese culture “The principal walked up to the American and bowed.” (p. 20)

The only time that Japanese language is used is on p. 34 “Ari-ga-tow, ari-ga-tow,” he said. “Thank you, thank you”

The illustrations use the dark hair and eyes for the Japanese children and adults, the banner has Japanese writing, and the clothing is mostly American with shorts and button down shirts, some of the adults are wearing traditional kimonos. The principal is wearing a suit.


D. REVIEW EXCERPTS

A Kirkus Reviews critic called the book a "delightful story"

Karla Kuskin, New York Times Book Review
"a master of his art." Noting that the author/illustrator wields a pen "as unerring as his eye," Kuskin added that Say's images of the Japanese schoolyard are "alive with wonderfully individual children and adults."


E. CONNECTIONS

Students can research WWII and the effect that it had on the Japanese and Americans.

Invite a member of the police department to talk to the students about bicycle safety and host a bicycle rodeo.


http://www.houghtonmifflinbooks.com/authors/allensay/

Officials Publisher’s site for Allen Say

Module 6



A. BIBLIOGRAPHY
Sanchez, Alex. Rainbow road. (Rainbow Trilogy.) Simon & Schuster. 256p. c2005

B. PLOT SUMMARY
Rainbow Road is the last book in the trilogy written by Alex Sanchez.
Jason Carrillo came out to his basketball team senior year and lost his university scholarship. Now, with graduation behind him and summer ending, he's asked to speak at the opening of a gay and lesbian high school across the country. But after spending years in the closet and losing his scholarship dream, what message can he offer? Jason is struggling with his identity, he is in love with his boyfriend Kyle yet he still has feelings for girls. Kyle Meeks is getting ready to go to Princeton in the fall and trying to see as much as possible of his boyfriend Jason before they have to separate. When Jason tells him about his speaking invitation, Kyle jumps at the chance to drive across country with him. During the trip Kyle realizes that he is not sure that Jason is as committed to the relationship as he is. Nelson Glassman is happy his best friend Kyle has found love with Jason. Nelson is a free spirit that enjoys life and adventure. Jason is not fond of Nelson but he is the one with the car. Traveling with Nelson makes the trip interesting to say the least.

During the summer road trip, each of the three very different boys also embarks on a personal journey that involves love, sexuality, homophobia, and above all, friendship.


C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Alex Sanchez writing emphasizes that being different is not easy, especially for homosexuals. Even though our society is more accepting of the homosexual community it still is verbally, physically and emotionally attacked.

Rainbow Road breaks down some of the stereotypes about how homosexuals dress and act. Not all homosexuals dress flamboyantly and act in a feminine manner. “he kicked off his sandals, displaying emerald-painted toenails. Kyle was used to such things, but Jason gaped across the room, with a look somewhere between aversion and fascination.” (p. 24) “he only knew one person nutty enough to dye his hair flaming pink.” (p. 4) A discussion between Jason and Nelson “Maybe if you wouldn’t dress so weird…” “I don’t try to be different, Jason. I just am. Try it sometime.” (p.47)

Acceptance from family members and discrimination from society is another issue that is the characters have to deal with. “When Jason tearfully came out to him, Coach had accepted him, unlike his own dad. And when Jason lost his full scholarship to Tech because of coming out, Coach had stood by him.” (p.29)
“You got a problem with something?” “Yes, with people like you.” (p.47)
“But Jason slowed his steps as he noticed the passenger door. Scratched into the paint, a word stood out: FAGGS!” (p.87)
“Yeah?” “The dad glanced over his shoulder, his face red from anger or embarrassment or both. “Well he’s my kid.” He shoved the sobbing Esau toward the tent. “You keep away from him. Faggot!” (p. 163)

Aids is a topic that is discussed in the book “he was dating an HIV positive guy” (p.17) “Did you discuss HIV status, like you promised me?” (p. 234)

D. REVIEW EXCERPTS

"A forthright portrayal of growing up gay."

-- USA Today

"Sanchez writes with passion and understanding as well as some welcome humor."

-- Booklist

"Realistic and remarkably honest."

-- Lambda Book Report

E. CONNECTIONS

Book List of Books for Gay and Lesbian Youth and Teens from Pinkbooks.
GLBTQ & Allies Authors Group: "authors and other children's literature professionals of fiction and nonfiction featuring gay, lesbian, bisexual, queer/questioning, gender-fluid, and transgender characters… You do not have to be gay, lesbian, bisexual, queer/questioning, gender-fluid, or transgender yourself in order to belong to the group, however you must understand and respect our mission if you're a member, and you must be writing about, or have an interest in writing about, this demographic."
GLBTQ Book List for Youth from the Rainbow Project, "co-sponsored by the American Library Association's Social Responsibility Round Table and the Gay, Lesbian, Bisexual and Transgendered Round Table, an annual bibliography for young readers from birth through age 18.
Great Gay Teen Books Recommended by author Alex Sanchez.
I'm Here. I'm Queer. What the Hell Do I Read? "The Place to find out about Young Adult fiction books with Gay, Lesbian, Bisexual, Transgender, Queer and Questioning characters and themes...and other cool stuff from Lee Wind, Teen Action Fantasy author."
Rainbow Reading: Gay and Lesbian Characters and Themes in Children's Books by Wendy E. Betts from Notes from the Windowsill.
The Rainbow List: 2009 from GLBTQ Books for Children and Teens.



BIBLIOGRAPHY

Nye, Naomi Shihab. 1997. Habibi: a novel. New York: Simon Pulse. ISBN 9780689801495

PLOT SUMMARY

Liyana is 14-years old when her native Palestinian father decides to relocate his family from the United States to Jerusalem. The rules start changing even before they leave the United States, Liyana is told that she can not wear shorts, that she will not be able to date and she is not looking forward to the move at all. They have an estate sale and after her possessions are sold she feels pieces of her life being torn away. Upon their arrival in Jerusalem, things are not quite as peaceful as Liyana’s father believed. Palestinians are still looked upon with distrust by Israelis, and friendships with Jews are culturally forbidden. Liyana’s finds herself among strangers that are her family, their customs, language and beliefs are as foreign as the land that she now lives in. Liyana meets Omer, and she realizes that she does not miss her home in the United States as much as she did, but finds it hard to develop a relationship with a boy that is a Jew. When she discovers that her father has been arrested and jailed for defying Israeli soldiers, she discovers a new strength in herself and begins to face the future and the changes that will be required for her to be successful in her father’s country. Nye is a beautiful story written with details that allows the reader to imagine the setting, fall in love with the characters and also understand the turmoil that is still taking place in Palestine.

CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Nye does an awesome job of teaching about the richness and tradition of the Palestinian culture. Change is not always easy especially for a young girl that is about to start her senior year in high school, has been kissed and is looking forward to developing a relationship with the boy.

In Palestine the family unit is united, Liyana has never met any of her Father’s family until the move. She is used to her maternal relatives being polite and standoffish; her paternal relatives hug and kiss everyone. “Liyana was being kissed by so many people whose exact identity was unknown to her.” (p. 40) “The whole gigantic family sat around forever, visiting, waiting for dinner to appear. What Liyana would discover was this was positively everyone’s favorite thing to do here – sit in a circle and talk, talk, talk.” (p. 50)

Although skin tone is not discussed in the story, Liyana does describe her mother’s skin as two shades lighter than Poppy’s and mentions that both she and her brother Rafik had inherited Poppy’s olive skin.

Nye uses colorful language to describe the clothing worn by Liyana’s father’s family. “The women’s long dresses were made of thick fabrics, purple, gold, and navy blue, and stitched brightly with fabulous, complicated embroidery.” (p. 40) “Two of the older uncles, Zaki and Daoud, wore black-and white-checkered kaffiyehs on their heads….”(p. 41)

In the story, as in the Arab culture, food is not only what is eaten to sustain life, but is prepared, served, and eaten in a way that celebrates the culture and traditions that are uniquely Middle Eastern. From lentils and saffron to lamb chunks and stuffed grape leaves, the family makes each meal an occasion for reconnecting and getting to know each other better. They use food to cure ailments also “musky smelling tea – maramia- an her good for the stomach. (p. 51) “But the extra visitors left just as a huge try of dinner appeared, hunks of baked lamb surrounded by rice and pine nuts. The remaining family members gathered around to dig into it with their forks. Poppy asked if his family could have individual plates since they weren’t used to eating communally.” (p. 51)

Religon is also a part of the novel yet it is not the focal point.
“A muezzin gave the last call to prayer of the day over a loudspeaker from the nearby mosque and all the relatives rose up in unison and turned their back on Liyana’s family. They unrolled small blue prayer rugs from a shelf, and then knelt, stood, and knelt again, touching foreheads to the ground, saying their prayers in low voices.” (p. 52)

In addition to the religious practices displayed by Liyana’s Palestinian family, Liyana’s family attends a few celebrations and religious locations of their own in the course of the story. Liyana’s mother cries when the family visits the chapel of Calvary, the Garden of Gethsemane, and The Church of the Holy Sepulcher, and the entire family feels the joy of Christmas when they stand in line at the Church of the Nativity at midnight on Christmas Eve. (p. 165)

The relationship between a young man and a young woman are very strict. Liyana is shocked when “she wished she had not heard that an Arab boy who was found kissing a girl in the alley behind her house got beaten up by the girl’s brothers. (p. 56)

In the novel a women shows up in the morning claims to be a relative of Poppy and sits all day waiting for him. Poppy explains “It’s an old custom. When someone returns from America, they buy every woman relative a bolt of cloth, for making a new dress. I guess it is to signify the success the traveler has had in America.”(p77)

The grandmother Sitti shares some of her superstitions “If a bird pooped on a clean white sheet while flying over the clothesline, that meant bad luck. But if it pooped on your head, that meant your first child would be a boy.” “Sitti wouldn’t wear socks because cold feet would help her live longer.”(p. 129)

Throughout the story, readers will notice Nye’s use of Arab forms of address—Liyana calls her father Poppy and her grandmother Sitti, similar to the American addresses Daddy and Grandma. Additionally, native language is used by all characters, infusing both Arabic and Israeli vocabulary into Liyana’s story.

Nye shares Liyana’s thoughts and feelings in a way that demonstrates respect for unknown customs and a willingness to draw new lines in dealing with others. It clearly allows us to see that the country is still in the midst of turmoil.

REVIEW EXCERPTS

Kirkus Reviews.

In her first novel, Nye (with Paul Janeczko, I Feel a Little Jumpy Around You, 1996, etc.) shows all of the charms and flaws of the old city through unique, short-story-like chapters and poetic language. The sights, sounds, and smells of Jerusalem drift through the pages and readers glean a sense of current Palestinian-Israeli relations and the region’s troubled history. In the process, some of the passages become quite ponderous while the human story- -Liyana’s emotional adjustments in the later chapters and her American mother’s reactions overall–fall away from the plot. However, Liyana’s romance with an Israeli boy develops warmly, and readers are left with hope for change and peace as Liyana makes the city her very own.

Children's Literature

Talk about culture shock: fourteen-year-old Liyana is not too pleased about leaving St. Louis to live in her Arab father's homeland, taking up residence in Jerusalem. Her new life has restrictions as she faces the traditions and prohibitions of her extended Palestinian family. To further complicate matters, Liyana has a Jewish boyfriend. In this first novel by poet Naomi Shihab Nye, the conflict between Arabs and Jews is vividly depicted through characters whom readers will admire and come to care about.

School Library Journal

An important first novel from a distinguished anthologist and poet. When Liyana's doctor father, a native Palestinian, decides to move his contemporary Arab-American family back to Jerusalem from St. Louis, 14-year-old Liyana is unenthusiastic. Arriving in Jerusalem, the girl and her family are gathered in by their colorful, warmhearted Palestinian relatives and immersed in a culture where only tourists wear shorts and there is a prohibition against boy/girl relationships. When Liyana falls in love with Omer, a Jewish boy, she challenges family, culture, and tradition, but her homesickness fades. Constantly lurking in the background of the novel is violence between Palestinian and Jew. It builds from minor bureaucratic annoyances and humiliations, to the surprisingly shocking destruction of grandmother's bathroom by Israeli soldiers, to a bomb set off in a Jewish marketplace by Palestinians. It exacts a reprisal in which Liyana's friend is shot and her father jailed. Nye introduces readers to unforgettable characters. The setting is both sensory and tangible: from the grandmother's village to a Bedouin camp. Above all, there is Jerusalem itself, where ancient tensions seep out of cracks and Liyana explores the streets practicing her Arabic vocabulary. Though the story begins at a leisurely pace, readers will be engaged by the characters, the romance, and the foreshadowed danger. Poetically imaged and leavened with humor, the story renders layered and complex history understandable through character and incident. Habibi succeeds in making the hope for peace compellingly personal and concrete...as long as individual citizens like Liyana's grandmother Sitti can say, "I never lost my peace inside."Kate McClelland, Perrot Memorial Library, Greenwich, CT

CONNECTIONS
Look for these other books about Arab countries:

Ellis, Deborah. The breadwinner. ISBN 9780888994196

Nye, Naomi Shihab. The flag of childhood: poems of the Middle East. ISBN 9780689851728

Oppenheim, Shulamith Levey. The hundredth name. ISBN 978 9780613034937

Winter, Jeanette. The librarian of Basra: a true story from Iraq. ISBN 0152054456

Heide, Florence Parry and Judith Heide Gilliland. The day of Ahmed’s secret. ISBN 9780688088941






A. BIBLIOGRAPHY
Lord, Cynthia. 2006. Rules: Scholastic. ISBN 10-0-439-44383-0

B. PLOT SUMMARY

Catherine is a typical Twelve year old girl dealing with the problems that come with the teen-age years. As if that is not enough she also has to face these problems having her brother David, who is autistic, and seems to always get her parents attention. She longs for the normalcy of a family and also wants her brother to be happy. Her sensitivity comes through when she takes the time compose rules for David hoping that life will be kinder to him if he follows the rules. She also befriends a boy Jason, a paraplegic boy who taps on picture cards to communicate. She draws pictures and words for him to add to his a book. Jason’s friendship does not come without problems, but ultimately Jason helps Catherine realize that “normal” does not really exist and accepting others is what is really important.

Through the simple plot, Catherine learns how to let go, be herself, and not worry about what others think. This book is perfect for those families or young siblings whose lives are impacted by a special needs child. It’s also perfect for families or children, who would like to learn empathy, see the world through someone else’s eyes and learn what it’s like to be different.

C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Autistic children have a hard time with noise, “David hears everything extra loud, Stephanie says. Milk being poured, shopping carts clanging at the grocery store, shopping carts clanging at the grocery store, my pet guinea pigs squealing, the school bus braking as it pulls up to the corner, and the whoosh of the bus door opening-all those things and a million more make David cover his ears, fast as lightning. (p.29)


Discrimination is an issue that people with disabilities must face when interacting within our society. Even though Catherine resents David at times she is overprotective of her brother. “That must be hard,” Kristi says. “Even regular little brothers are a pain.” “Regular” snarls in my stomach.” (p. 84) “But when David opens the wrapper, there’s nothing inside. He head-butts his face into my shirt. “It’s gone!” “You jerk! I scream at Ryan so loud, David burst into tears. “Get out of my yard and take your stupid gum with you.”(p. 109)

Catherine feels that her parents do not pay enough attention to her and sometimes resents having to baby sit David. “David has to come wherever we go, and sometimes I have to baby-sit while she meets with clients or makes phone calls. (p. 35) “I know she needs me to baby-sit sometimes, but I hate when she tells me he shouldn’t be any trouble. Trouble comes quick with David, and “should” doesn’t have anything to do with it.” (p. 79) “Footsteps pound behind us and two women jog by, one on each side of Jason and me. One of the women give Jason a soft-eyed pity look.” (p. 145)

The feeling of wanting some alone time with her parents is a natural reaction and in this situation Catherine loves her brother but resents that he needs so much attention that there is little left for her. “I’m torn between wanting to yell at him for choosing tomatoes over Mom and wanting to cry that he’s choosing David over me.” (p. 127)

D. REVIEW EXCERPTS

Booklist

A heartwarming first novel.”
Kirkus Reviews
“Catherine is an appealing and believable character, acutely self-conscious and torn between her love for her brother and her resentment of his special needs. Middle-grade readers will recognize her longing for acceptance and be intrigued by this exploration of dealing with differences.”
Publishers Weekly
"The appealing, credible narrator at the heart of Lord's debut novel will draw in readers, as she struggles to find order and balance in her life.... A rewarding story that may well inspire readers to think about others' points of view."
School Library Journal
"Catherine is an endearing narrator who tells her story with both humor and heartbreak. . . this sensitive story is about being different, feeling different, and finding acceptance. A lovely, warm read and a great discussion starter."
Schneider Family Book Award Winner
Notable Children's Books Winner
Newbery Medal Winner for 2007

E. CONNECTIONS
The Autism Society of America http://www.autism-society.org/site/PageServer
Autism Resources http://www.autism-resources.com/
Cure Autism Now http://www.cureautismnow.org/
Sibling issues for parents: http://www.parentlink.act.gov.au/parentguides/parentg_disabilitybrothersister.htm
For Teachers: a lesson plan on “understanding disability” by Gill Chesney-Green http://www.schoolzone.co.uk/resources/articles/GoodPractice/classroom/Special_needs/Understanding_disability.asp
Understanding Kids Who Are Different: Activities for Teaching About Disabilities http://www.education-world.com/a_lesson/lesson115.shtml
Lesson plans from The Disability Rights Commission: http://www.drc-gb.org/citizenship/lessonplans/talkvideo/index.asp
A huge online bookstore with resources on special needs: http://www.specialneeds.com/default.asp

Thursday, July 9, 2009

Module 4



A. BIBLIOGRAPHY

Bruchac, Joseph. The Arrow over the Door. New York: Dial Books for Young Readers, 1998.

B. PLOT SUMMARY

The setting is near Saratoga, New York in 1777, this short historical novel follows the parallel stories of two young boys, one a Quaker farm-boy, the other an Abenaki scout. The story is told through the eyes of Samuel Russell a 14 year old Quaker that is called a coward because his family does not believe in fighting. Stands Straight is the Abenaki scout that is left an orphan after his mother and younger brother are murdered by the American colonists. When the armed Indians, accompanied by two French allies, approach a large log structure filled with settlers, they do not know what to expect. Inside an assembly of Friends prepares to hold a regional meeting with the noted Quaker leader Robert Nisbet. As the Quakers wait in their customary silent worship, seeking inspiration from the "light within," the Indians approach the structure. Noting that the door has been left open and the settlers are unarmed, they enter quietly. Surprised to be welcomed with the usual handshake of the Friends, the scouting party sits down among the congregation quietly and seems to join in the silent worship. Later they share a simple meal of bread and cheese with the Friends. They leave an arrow shaft, feathered but with the point removed, over the door as a sign of peace, as they quietly exit.

Based upon an actual event, known as the Easton Meeting, The Arrow Over the Door is manages to clearly distinguish the differences in the Abenaki and the Euro-American settlers.

C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Joseph Bruchac says in Native American cultures, which Bruchac honors through his storytelling, stories always have lessons. The best ones, he thinks, tell people how they should act toward the earth and toward each other. In The Arrow over the Door Bruchac incorporates a historic event to educate us about how Indians did not go around fighting and scalping everyone that got in the way, they also believed in living in a peaceful manner just like the Quakers. He uses nature, language and art to teach us about the Abenaki Indians.

In the novel art work is done in black and white to enhance the physical descriptions given of the characters. The Indians are dressed in moccasins; their clothing is made out of skins. The physical features include long dark hair and slender bodies. Nature plays and important role in the Indian culture, the illustrations show the river and trees in just about every picture.

Physical descriptions are given of the Indian characters allowing the reader to visualize that not all Indians looks the same. Stand Straight, an Abenaki Indian “his long black hair, the brown color of his skin and the Algonquin features of his handsome face revealed the fact that he was an Indian.” (p. 11) Wolf Mark was shorter and broader than he, but his faced showed the age and experience that Stands Straight had yet to gain. There was a crooked scar across his older cousin’s temple where he had been grazed by a Maguak arrow and the look in his eye wa1s that of a man who has been in battle. (p. 14)
“The Indian, who stood there, filling the doorway, was the tallest man Samuel had ever seen. The two heron feathers that rose from the cap on head brushed the roof of the Meetinghouse.” (p. 69)

Throughout the novel the importance of the nature is evident.
“You can use this eye stone to see into the heart of things.” (p. 12)
“They knew how to ride through the currents of its rapids, there where the little underwater people lived. If an enemy tried to go through those rapids, the little underwater people would grab his canoe and tip it over. But if a friend came, the little underwater people would show him the way through.” (p.13)

The Indian culture portrays the Wind, Sun and the land as part of their religion; in the Arrow over the door it incorporates the aspect of religion into the story. “Stands Straight knew that Sees-the Wind was watching him. He could tell that his uncle was pleased that he was not forgetting to pray to the Creator and give thanks to Elder Brother Sun. After all, it was known that Elder Brother Sun liked the sight of war. And it was the path of war, Elder Brother’s Path that they were now walking.” (p. 29) “Ktsi Nwaskw,” he said, in a voice so soft that only the wind could hear it, “Great Mystery, you have kept us from harm. For that I give you thanks. All I ask is that you help us see the right road to follow. Ktsi wliwini, great thanks.” Then he lowered his arms.” (p. 34) “They were listening to hear the voice of Ktsi Nwaskw, the Creator, that voice which is hidden in each person’s heart.” (p. 72) “I have asked our Elder Brother if it is really war that he wants for us,” he said. “But so far the Sun has not answered.” (p. 34)

The arrow over the door is a symbol of Peace, which is as important to the Indians as it is to the Quakers. “This arrow, said Sees-the Wind as Robert Nisbet translated his words into English, “is our mark. It will not protect you from your own people. But those of my people, the Abenaki, who see this, will do you no harm. They will know you are the people of peace.” (p. 77)

D. REVIEW EXCERPTS

(School Library Journal)
For young Samuel Russell, the summer of 1777 is a time of fear. The British Army is approaching, and the Indians in the area seem ready to attack. To Stands Straight, a young Abenaki Indian scouting for King George, Americans are dangerous enemies who threaten his family and home. When Stands Straight's party enters the Quaker Meetinghouse where Samuel worships, the two boys share an encounter that neither will ever forget. Told in alternating viewpoints, The Arrow over the Door is based on a true story.

Booklist
Fourteen-year-old Samuel Russell hates being called a coward because he is a Quaker, and he vows to defend his family if Loyalists or Indians try to harm them. Stands Straight, an Abenaki boy whose mother and brother were murdered by white men, has joined his uncle's scouting party, though he questions why Indians should fight in the white man's war. In alternating narratives, the two boys tell this quietly compelling story, which is based on an actual incident that took place in 1777, just before the Battle of Saratoga. As Samuel's family sits in the meeting with the rest of the Quaker congregation, the Indian scouting party to which Stands Straight belongs surrounds the cabin. Stands Straight follows his uncle Sees-the-Wind inside, and after being assured that there are no weapons in the cabin, the Abenakis leave their bows and arrows outside and sit with the Quakers in silence. At the end of the meeting, the Quakers and the Indians share the handshake of peace, and Sees-the-Wind places an arrow over the cabin's door to show the Abenakis that the Quakers are people of peace. Simple black-and-white drawings reflect the dignified tone of the story, which explores the complexities of the Indian-white relationship, focusing on two lesser-known groups who were involved in the conflict. An author's note provides thorough historical background about the incident, as well as a brief history of the Quakers and the Abenakis.

E. CONNECTIONS
http://www.bigorrin.org/abenaki_kids.htm
Native American Facts For Kids was written for young people in search of Abenaki information for school or home-schooling reports.


Pose the questions:
What do individuals do to find peace?
What do communities do to create peace?
What are some symbols for peace?

As a class, visit the following websites that offer differing perspectives on peace:

The Peace Corps
Cranes for Peace
Pieces for Peace
Article 1 of the UNESCO "Declaration of Principles on Tolerance"
World Peace Society

After viewing the websites, ask students to discuss how peace is defined and represented in varied ways.




A. BIBLIOGRAPHY

Ross, Gayle. How Turtle's Back Was Cracked: A Traditional Cherokee Tale. Illus. Murv Jacobs. Dial Books for Young Readers, 1995.

B. PLOT SUMMARY

Long ago, turtle's shell was smooth. The turtle and the possum were good friends and they worked together to eat persimmons. Possum would climb a persimmon tree and swing the branches and aim it towards turtle’s mouth and he would eat some also. One day a coyote came by and saw the two and decided to trick the turtle, when Possum would swing the branches and the persimmons toward turtle, coyote would jump up and eat it before turtle could get it. Possum waited for coyote to open his mouth and threw a persimmon into his mouth with such force that it got stuck in his throat and died. Turtle saw the coyote on the ground and he convinced himself that he had killed he greedy wolf. He cuts off wolfs ears and makes spoons out of them. He starts visiting and using his spoons to eat, while bragging about being a great hunter. The wolfs get mad and decide to teach him a lesson, turtle outsmarts them and they throw him down a river bank and cracked his back. Turtle uses his knowledge of healing to put sew his back together again, but he no longer has a smooth back

C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Gayle Ross wrote How Turtle’s Back was Cracked after telling the story to audiences of many ages. The tale has been around for many years, in this version the illustrator Murv Jacobs does an outstanding job in integrating the Indian attire even though his characters are animals. The turtle has a beaded skin tied around his waist; he also has strands of beads on his ankles and wrists. The possum has a necklace, a breechcloth and a pouch made out of animal skins. The colors that are used in the illustrations are vibrant and his curlicue sky adds a sense of mystery to the story.

The Indian worshiped the sun as one of their gods; the sun is given human features in the illustrations implying that he is a human being. The sun is painted looking down on the earth and its people as if taking care that everything is working well.

The wigwams are also part of the setting with the Indian women cooking on an open fire with a pot.

The Indian man has dark brown skin and dark hair worn in a Mohawk. He is holding a spear that Indians used for hunting. The Indian women have long dark hair and dark brown skin, their clothing consists of dresses made out of animal skins adorned with beaded belts and they wear moccasins.

Indian customs are weaved into the tale, “In the old days it was another custom to offer a visitor food to eat the very first thing. And there was a special dish that was usually kept cooking at all times, just to offer a guest.” (p.10)
“Now, it a custom for a hunter to take what is called a tribute from an animal he has killed. In this way he captures a piece of the animal’s spirit. (p. 9)

Indians used plants to heal the sick, in this tale turtle uses his knowledge of healing to take care of his back. “Now, turtle wasn’t a mighty hunter, but he was a good doctor. He knew many conjuring secrets. He knew the healing plants and how to prepare them.” (p. 24)

On page 24 turtle sings in the native language “Gu`daye`wu, Gu`daye`wu (GUNH-dah-YAY-wunh), I have sewn myself together. I have sewn myself together.”

D. REVIEW EXCERPTS

Booklist
From Booklist, Mar. 1995, Copyright © American Library Association.
Gathering persimmons together, friends Possum and Turtle are joined by a thieving wolf that chokes to death on their fruit. Turtle, foolishly believing that he has killed the wolf, shows off the deed by making wolf-ear spoons and eating with them publicly. When the other wolves catch Turtle, they vow to kill him by roasting, boiling, or drowning him. He responds with, "Oh, no, not the river! Anything but the river." When they throw him in, he lands upside down on a rock, cracking his shell. He survives, but that's why the Turtle has cracks on his back today. Despite its echoes of the more familiar Brer Rabbit story ("born and bred in the briar patch"), this Cherokee pourquoi tale has a flavor all its own. Ross notes that she remembers the tale from her childhood, found a written source, and developed it through storytelling to its present form. Jacob's distinctive acrylic paintings illustrate the story's dramatic moments in scenes rich in colors and patterns.

School Library Journal

A moral about behavior is linked to this Cherokee pourquoi tale. When Turtle's friend Possum kills a greedy wolf, Turtle not only takes all the credit for the deed, but boasts and flaunts his trophies. The wolves take revenge on him, but they are stupid and quarrelsome, and Turtle tricks them into throwing him into the river instead of a fire. Although he escapes death, he hits a rock and his shell is cracked into pieces. He cleverly sews himself back together, but since then all turtle shells show the joins. Jacob's naive paintings depict animals in Cherokee dress. Stylized sun and moon faces look out of a pointillist sky, and there is an autumnal hue to the landscape. Details like Turtle's wolf-ear spoons and the male body ornaments and fringed belts add authenticity. Patterned borders also use traditional design motifs. The whole has neither the slickness of Paul Goble's artwork nor the softness of Jeffers's; the crowded, somewhat clumsy ensemble evokes a time before ``real'' time began, a world without air or space, which is still not quite finished.


E. CONNECTIONS

http://edsitement.neh.gov/view_lesson_plan.asp?id=378#LESSON4

Traditions and Language of the Cherokee

Tell the students that they will now learn about the Cherokee language. Explain that the Cherokee people have their own unique alphabet made up of 85 symbols. Each symbol stands for a syllable, which is why this type of alphabet is called a syllabary. Go to Cherokee Syllabary, available through the EDSITEment-reviewed resource NativeWeb.

Make Bingo boards with words the students have learned from the Cherokee language. Then call out definitions, such as "It means butterfly in Cherokee." Students who have that word mark it with a plastic disk or other convenient marker. The first to mark all the words in a row - up and down, across, or on a diagonal - wins the game.



A. BIBLIOGRAPHY

Smith, Cynthia Leitich. 2000. JINGLE DANCER. Ill. by Cornelius Van Wright and Ying-Hwa Hu. New York: Morrow Junior Books. ISBN 0688162428

B. PLOT SUMMARY

Jenna is a typical young girl that is a member of the Muscogee (Creek) Nation and is also of Ojibway descent. She lives in Oklahoma in a traditional American home, enjoys the resources like television and DVDs and also participates in traditional Indian rituals. She is able to embrace both cultures to bring the beautiful tradition of the Jingle Dancer to live. Jenna wants to participate in the powwow by dancing the Jingle Dance but she does not have jingles to make her dress sing. She involves family and community members by asking them to let her borrow a row of jingles from their own dresses to sew them on her dress. Her grandmother helps her sew the jingles and she dances for each of the four women that helped her make her reach her goal of dancing the jingle dance. The story breaks down stereotypes usually associated with American Indians.

C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)

Cynthia Leitich Smith is a mixed blood member of the Muscogee (Creek) Nation; she incorporates Native characters, storytelling, food, dance, music and also emphasizes the importance of women in the Indian culture in her story Jingle Dancer.

The emphasis of family and community members helping each other is evident throughout the story, when Jenna goes to different members and they help her acquire the jingles that she needs for her dress. When the four different women share the jingles from their own dresses so that Jenna can make her own they are allowing the tradition of the Jingle Dance to continue to the next generation. The voice of each one of the four women that gave her jingles for her dress will be heard when Jenna dances at the powwow.

The food that is mentioned in the story is unique to the Indian culture. “Jenna daydreamed at the kitchen table, tasting honey on fry bread.” (p.2), “At powwow, I’ll be busy selling fry bread and Indian tacos.” (p.11), the book also includes a glossary that defines fry bread and Indian taco.
Fry bread: a deep-fried bread often topped with honey or jam.
Indian taco: a taco with fry bread for a base. Topping may include chicken, turkey, duck, hamburger, elk or venison along with grated cheddar, lettuce, tomatoes, onions, chilies, salsa and sour cream.

Storytelling has been a long standing tradition tied to the Indian culture, in Jingle Dancer the older generation share stories with the younger generation keeping the stories alive. “Once again, Great-aunt Sis told Jenna a Muscogee Creek story about Bat. Although other animals had said he was too small to make a difference, Bat won a ball game by fling high and catching a ball in his teeth.” (p. 9) Stories were used to teach morals. In the illustrations it also shows Jenna watching a video of her grandmother dancing on a television, allowing the reader to break the stereotype that is often attached to Indians that they sit around a campfire telling stories and they use modern technology like everyone else.

Jingle Dancer portrays women as professionals; Cousin Elizabeth is a lawyer that is busy with an important case. The illustration of Cousin Elizabeth is that of a confident woman dressed in a suit, carrying a briefcase and a law review newspaper.
The Powwow is described in the glossary as “a Native American social and spiritual event that includes dancing, drumming, singing, eating, and sometimes camping, trading, storytelling, rodeos, or film and art shows to celebrate and preserve traditions. Some are ceremonial and private in nature, while others are open to the public. Powwows are held at various time of the year, although most take place in summer.” Throughout the story the powwow is mentioned along with the sounds of the jingles and the drums. “Tink, tink, tink, tink, sang cone-shaped jingles sewn to Grandma Wolfe’s dress.” (p.1),
“her heart beating to the brum, brum, brum, brum, brum of the powwow drum. (p.1).

The illustrations of all the characters are warm, friendly and inviting. They give the reader a sense of comfort and familiarity that is common in cultures that are family oriented such as the Indian culture. The watercolors used are soft and flowing that adds to the feeling of friendliness.

D. REVIEW EXCERPTS

Publisher's Weekly: "Their easy integration of Native and standard furnishings and clothing gracefully complement Smith's heartening portrait..."

School Library Journal: "This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture."

E. CONNECTIONS
Dancing and Powwows: Music, Video, Teaching Guides, Web Sites
http://www.indianhouse.com/
Indian House Records: "Located in Taos, New Mexico, USA, Indian House is a 30-year old record company specializing in traditional American Indian music. Featured on our recordings are some of the most highly-respected Indian musicians in the United States and Canada." Indian House carries powwow, specifically jingle dance songs, as well as tapes of Creek songs and more.

http://www.tpt.org/powwow/womjingle.html
Jingle Dancing: by TPT (related to production of Wacipi powwow documentary). Photo with one of the traditional stories and discussion of dance style.